Egyptian Blue Glazed Libation Cup of Ramesses III

The mummiform figure in brownish-black and white faience with black detailing, wearing a round wig featuring a side-lock and a broad collar, the white face displaying eyes, eyebrows, nostrils, and a short beard in black; the arms crossed, and the white-glazed hands holding hoes; a slightly raised white-glazed frontal panel containing a column of hieroglyphic text reads: 'The Osiris, the Sem-Priest, the King's Son, Khaemwaset, True of Voice'. 82.4 grams, 11.8 cm



From the private collection of George Ortiz, Geneva, Switzerland, since before 1981. Received by gift from George Ortiz to the current owner at Mr Ortiz's Geneva home in the summer of 1981. From the private collection of a UK gentleman since the early 1980s. Identified by Professor A.M. Dodson BA, MPhil, PhD, FSA, Department of Anthropology & Archaeology, University of Bristol. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Khaemwaset was the fourth son of Ramesses II, born to Queen Iset-Nofret. In addition to serving as the Sem-priest of Ptah at Memphis from an early age, he held various titles related to the Memphite cult, including High Priest of Ptah. The side-lock featured on all of Khaemwaset's shabtis is associated with his priestly role. Many shabtis of the prince are known, with the largest single group coming from the Serapeum at Saqqara; however, others have been found in numerous other locations. Since Khaemwaset's tomb has yet to be discovered, it appears that most of the known shabtis may have served as votive offerings in the sacred areas of the Memphite necropolis. His faience shabtis come in various colours, including green, blue, white, and black, and range in size from just under 10 cm to 15 cm in height. The distinctive glaze combination of this example, featuring a raised white-glazed panel contrasting with the darker body colour, is also found on some other 19th Dynasty shabtis (Cf. Janes, G., The Shabti Collections 3: Rochdale Arts & Heritage Service, Cheshire, 2011, pp.1-5 for those of Userhat from Sedment).

Carved in the round, the nude standing figure of the god sporting a solar disc and uraeus headdress, wearing a sidelock, and holding a lotus flower, accompanied by an integral dorsal pillar and base; one arm missing. 15.26 grams, 78 mm



Ex Thomas collection, UK, 1980s-1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Harpocrates is the Greek rendering of the Egyptian Hor-pa-khered, which translates as ‘Horus the Child’. This designation refers to Horus as the divine infant of Isis and Osiris. His nudity represents youth and purity. The sun disc and lotus flower symbolises divine rebirth and solar renewal. The sun disc connects him to Ra and the daily cycle of rebirth, while the lotus—opening with the sunrise—emphasises creation and emergence from chaos. Together, these elements express triumph over death and the promise of eternal life.

Accompanied by an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Stamp Seal of Chalcedony/Carnelian 14.5 x 20 x 10 mm. This s a scarab on a flat base, the insect nicely modelled, and the seal design on the flat base is contained within a linear border. It shows a prancing lion above a fallen bull and there is an inscription in the West Semitic alphabet [three characters] l-h-n-n Property of H-n-n. This is a Phoenician seal, exact date not easy to fix but c.800-400 B.C. is the likely range. The seal, which is not pierced, is chipped around the edges but otherwise in very good condition.' 4.76 grams, 20 mm



Acquired on the German art market, 1989-1995. with The Museum Gallery, 19 Bury Place, London, WC1, UK, 1998-2003. Property of a London based academic, 2003 to present. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12634-233894. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.