Egyptian Blue Glazed Hieroglyphic Shabti for Ta-Amun

Ritual cup with sides tapering towards the base; the black glazed rectangular panel containing two columns of text: 'Lord of Appearances, Ramesses ruler of Heliopolis (Ramses heqa Iwnw) given life, beloved of Osiris, Lord of Rosetau'. 50 grams, 53 mm



with Hoshigaoka Gallery Co. Ltd, Japan. Private collection, London, acquired from the above on the 26th September 1981. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12637-235085. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Modelled in the half-round as a man standing on an integral plinth, round face with short curly hair, wide eyes, a slender nose and a small mouth; wearing a Greek himation wrapped around his body and feet enclosed in Romano-Egyptian sandals; the left arm lowered and holding a cluster of grapes; his right arm bent at the elbow and holding a roll; remains of red and dark brown pigment on the face and clothing. 50 kg, 81.5 cm



Property of a Surrey lady; acquired by her father Christopher Terry circa 1980. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12603-233353. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Limestone niches with polychrome representations of the deceased were common in Roman Egypt, and lasted until the time of the Arab conquest. The man depicted on this stele certainly belonged to the high contemporary nobility as is evidenced by his well-pleated clothing, which identifies him as a member of local Graeco-Roman aristocracy.

Modelled in advancing pose wearing a tight-fitting robe, cat-headed, with a sistrum in one hand and a Bes head emblem in the other; suspension loop between shoulders. 3.75 grams, 38 mm



François de Ricqlès, Paris, Archéologie, 30 September-1 October 1996, no.332. Private collection, London, UK, acquired from the above sale. Accompanied by a copy of a French cultural passport, dated 2 October 1996. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Bastet is typically depicted with the head of a lioness or domestic cat. The cat symbolises protection, motherhood, and, later, gentleness and domesticity, qualities associated with Bastet, especially in her later evolution from a fierce lioness to a more benevolent feline goddess. The sistrum she holds is a ritual musical instrument associated with Hathor and other birth goddesses and is linked to joy, music, and divine protection. Bastet was often invoked during music and dance ceremonies, and the sistrum reinforces her role in celebration and protection. Bes was a dwarf god known for guarding households, particularly mothers and children. His image on Bastet’s amulet emphasises her protective role, especially at home and during childbirth.