Egyptian Blue Glass Bird Inlay

Blue-glazed faience scarab beetle with detailed features; the underside is decorated with a recumbent jackal above a seated figure in an attitude of praise before two hieroglyphs, along with a slim neb sign below. 4.18 grams, 23 mm



From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Modelled in the half-round with low-relief hatched detailing; perching on a D-section base; mounted on a silver support and a wooden display stand. 18 grams total, 55 mm including stand



with Jean-Phillipe Mariaud de Serres, Paris, France. Private collection, London, UK, acquired from the above in 1992. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The falcon inlay possibly symbolises Horus, the god of the sky, war, and protection. Horus was one of the most significant and widely worshipped gods in ancient Egyptian mythology. His importance spans multiple facets of Egyptian religion, including kingship, protection, the sky, and the sun. Depicted in various human and animal forms, Horus played a vital role in Egyptian cosmology, especially as the protector of the Pharaoh and as a representation of divine authority.

Modelled in the half-round in Hellenistic style with a stephane and centre-parted hair, serene facial features including hooded eyes and pert lips; mounted on a custom-made wooden display stand. 313 grams total, 10 cm high (14.3 cm high including stand)



Ex Hanna Saba collection, Ambassador to Egypt-USA-France (1909-1992). Private European collection. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12083-218194. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The head is similar to various portraits of Ptolemaic queens, some of them identified as belonging to the famous Berenice II (246-222 B.C.), some others to Cleopatra VII Philopator (69-30 BC), the lover of Julius Caesar, the spouse of Mark Anthony and the last Queen of Egypt. The analogies with Berenike II’s portrait are noteworthy, especially with the portrait in the Cairo Museum (inv.JE 39517): the diadem and its position on the top of the head, similar physical features, and similar roundness of the cheeks.