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LOT 0014
Egyptian Blue Glass Bird Inlay
PTOLEMAIC PERIOD, CIRCA 332-30 B.C.
2 1/8 in. (18 grams total, 55 mm including stand).
Modelled in the half-round with low-relief hatched detailing; perching on a D-section base; mounted on a silver support and a wooden display stand.
Provenancewith Jean-Phillipe Mariaud de Serres, Paris, France.
Private collection, London, UK, acquired from the above in 1992.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The falcon inlay possibly symbolises Horus, the god of the sky, war, and protection. Horus was one of the most significant and widely worshipped gods in ancient Egyptian mythology. His importance spans multiple facets of Egyptian religion, including kingship, protection, the sky, and the sun. Depicted in various human and animal forms, Horus played a vital role in Egyptian cosmology, especially as the protector of the Pharaoh and as a representation of divine authority.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Egyptian Gold Fly Amulet
Late Period, 664-332 B.C.Sold for (Inc. bp): £650
With hatched detailing to the body and wings. 1.62 grams, 17 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Considering that Egyptian artists often depicted fly whisks in the hands of pharaohs and high officials, one might assume that flies were merely a nuisance. However, the Egyptians held flies in high regard for their speed, quick reactions, and persistence. Small fly amulets first appeared in burials during the Naqada II Period, around 3200 B.C. These amulets gained popularity, and the materials used to make them varied during the New Kingdom. They were crafted from various materials such as gold, silver, lapis lazuli, carnelian, amethyst, faience, and bone. These amulets were believed to protect against insect bites and to ward off troublesome flying creatures through apotropaic magic. Some believe they may have even symbolised the fly’s fecundity. Additionally, pharaohs would bestow gold fly-shaped pendants as military awards to honour the bravery and persistence of soldiers in battle. -
Egyptian Diorite Stone Scarab
Saite Period, 664-525 B.C.Sold for (Inc. bp): £156
Carved in the round with detailed carapace and legs; not pierced. 8.22 grams, 21 mm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The scarab amulet was arguably the most ubiquitous symbol in ancient Egypt, representing rebirth, transformation, and protection. Modelled after the scarab beetle, which was associated with the sun god Khepri, believed to roll the sun across the sky, the amulet illustrated the cycle of life and regeneration. Scarabs were commonly placed with the deceased as funerary amulets to ensure safe passage into the afterlife. They also served as seals and personal charms, often inscribed with prayers, names, or protective formulas. Widely used from the early Middle Kingdom (c. 2050 BCE) onwards, scarab amulets reflect spiritual beliefs and everyday practices in ancient Egyptian life. -
Large Egyptian Steatite Scarab with Sphinx
Late Period, 664-332 B.C.Sold for (Inc. bp): £468
With detailed carapace, head, and legs; the underside depicting the king as an advancing sphinx trampling a male enemy in a short kilt, with a rearing cobra behind, a pair of ostrich feathers atop a sun disc in front, and the symbol for foreign lands placed in the curl of the sphinx’s tail. 13.4 grams, 32 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
