Egyptian Blue Faience Clothing Mounts

Modelled in the round squatting on an ellipsoid base, lug to the underside, repaired. 114 grams, 60 mm



From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The ibis, particularly the sacred species known as the Egyptian ibis (Threskiornis aethiopicus), held a prominent place in ancient Egyptian religion and culture as a manifestation of the god Thoth. Revered as the deity of wisdom, writing, and knowledge, Thoth was often depicted in human form with the head of an ibis. During the Late Period onwards, the practice of mummifying ibises became widespread, leading to the creation of vast necropolises dedicated to these sacred birds. In places like Saqqara and Hermopolis, thousands of ibis mummies have been discovered in specially constructed catacombs. The mummification of these birds was not merely a ritual act; it was seen as a sacred offering to Thoth, meant to honour the god and seek his favour. Egyptians believed that by preserving the ibis through mummification, they could ensure its safe passage to the afterlife, establishing a direct connection between the earthly realm and the divine. These mummies were often accompanied by votive offerings, like this bronze figurine, further emphasising the relationship between the ibises and Thoth.

The head of goddess Bastet modelled in the round with alert ears and eyes, ears pierced; hollow-formed. 40.4 grams, 33.6 mm high



Acquired in the mid 1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The feline's pierced ears likely once held earrings or other ornaments. It was probably attached to a statuette of a cat, whose body may have been crafted from wood. The cat was sacred to Bastet, a protective mother goddess and the daughter of the sun god Re. Amulets provided the wearer with the goddess's protection. Her name means ‘she of the bast [ointment jar],’ which may have contained a substance favoured by or exclusive to royalty. Originally, Bastet was depicted as a woman with the head of a lioness, but by the late New Kingdom, she was typically shown with a cat's head. She is sometimes portrayed with kittens, emphasising her maternal role as a fierce protector of her offspring.

A narrow strip of woven linen textile featuring two lines of neatly written hieratic text in black. 3.74 grams, 40 cm



From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

From the fifth century B.C., mummy wrappings often feature hieratic script—a cursive form of Egyptian hieroglyphs used for daily and religious texts. These include excerpts from funerary works like the Book of the Dead, alongside prayers meant to protect the deceased in the afterlife. Often with vignettes, these texts were inscribed directly on linen strips during the mummification. Some bandages were notably long; one from Brussels, 6.2 cm wide, measures an incredible 26 metres.