Egyptian 'Becker' Serpentine Vessel

Modelled in the round in a crouching pose on a rectangular base with an attachment peg. 145 grams, 73 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.

This figure most likely comes from a shrew coffin or votive statuette. The dwarf shrew (Crocidura nana) and Flower’s shrew (Crocidura floweri) were among many animal species buried in dedicated cemeteries across various parts of Egypt. Ironically, these tiny creatures symbolised Horus in his raptor-headed form — a figure who, in reality, would have preyed upon them. Shrews were associated with Khenty-irty, the “seeing-and-blind god,” due to their ability to navigate darkness. It may be possible to read the shrew’s symbolism as that of seeking light in darkness, representing the Egyptian belief in the deceased’s journey through the hours of the night before rebirth at dawn. Radiographic analysis of a bundle containing about twenty-one shrews shows that they were dried whole, with no evisceration, preserved by being ‘pickled’ in natron.

Modelled in the half-round in Hellenistic style with a stephane and centre-parted hair, serene facial features including hooded eyes and pert lips; mounted on a custom-made wooden display stand. 313 grams total, 10 cm high (14.3 cm high including stand)



Ex Hanna Saba collection, Ambassador to Egypt-USA-France (1909-1992). Private European collection. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12083-218194.

The head is similar to various portraits of Ptolemaic queens, some of them identified as belonging to the famous Berenice II (246-222 B.C.), some others to Cleopatra VII Philopator (69-30 BC), the lover of Julius Caesar, the spouse of Mark Anthony and the last Queen of Egypt. The analogies with Berenike II’s portrait are noteworthy, especially with the portrait in the Cairo Museum (inv.JE 39517): the diadem and its position on the top of the head, similar physical features, and similar roundness of the cheeks.

Comprising: a segmentum in red, green and black wool upon coarse linen, S torsion, embroidered with two stylised human figures, standing with the arms along the body, inscribed within a square framed with red and black chevrons, black and yellow borders; a tabula in purple wool and coarse linen, on brown linen background, S torsion, embroidered with a central cross, the borders decorated with meanders. 41 grams total including package, 10.5-13.3 cm



Acquired 1970s-1996. Property of a North American collector. London collection, 2016.

The tabula, or tablion, was a square embroidery used to decorate tunics or mantles. The Christian elements, like the cross at the centre of our tabula, began to decorate the garments from the 4th century onwards.