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LOT 0009
Egyptian Alabaster Kohl Jars
NEW KINGDOM, CIRCA 1550-1070 B.C.
1 1/2 - 2 1/4 in. (310 grams total, 43-61 mm high).
The larger with squat profile, slight flare to the foot, carinated shoulder and small rounded rim; the smaller with wide flat rim, round shoulder and body tapering to a flat base. [2]
ProvenanceMary Stout Shaw (1880-1962); thence by direct descent to the present owner.
Accompanied by a copy of a 1976 family photo featuring some of the collection on display, the larger kohl jar is clearly visible on a 1976 family photo.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12197-220887.
Cf. Vandier d’Abbadie, J., Les objets de toilette égyptiens au Musée du Louvre, Paris, 1972, pp.79-81, nos.283 and 287, for a similar example of the smaller kohl jar; Guidotti, M.C., Vasi dall’epoca protodinastica al Nuovo Regno, Museo Egizio di Firenze, Rome, 1991, p. 178, no. 248, for a similar example of the larger vessel; for a museum comparable, cf. Metropolitan Museum of Art, acc. no. 35.3.22a, b.
FootnotesMary Kilgour Stone was born in 1880 in Cincinnati, Ohio. On 25 November 1903, she married Percy Wyfold Stout from Gloucester (DSO, OBE, 1875-1937), who had moved to Cairo after an international rugby career.
After fighting in the First World War, Percy became the Director of the Egyptian Delta Land Company and the Anglo-American Nile Tourist Company. He and Mary were friends with the famous Major Gayer-Anderson, who worked as a doctor on the company’s cruise boats between 1930 and 1939. Gayer-Anderson tells in his memoir how this allowed him to make frequent trips to Upper Egypt and fulfil his passion for collecting (and dealing in) ancient Egyptian art.
In his company, Mary became an enthusiast about all things Egypt and formed an elegant collection of ancient Egyptian alabaster vessels,
including the following lots. She was particularly fascinated with the ancient cat goddess Bastet. Therefore, when Gayer-Anderson decided
to give his famous ancient bronze cat to the British Museum in 1939, he made sure the donation was in both his name and Mary Stout Shaw’s, as a tribute to their friendship.
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AUCTIONS:
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LOT 0009
Egyptian Alabaster Kohl Jars
Estimate £1,500 - 2,000€1,740 - 2,320 (for guidance only)$2,030 - 2,700 (for guidance only)
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Egyptian Faience Beaded Sons of Horus Panel
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £130
Openwork restrung panel depicting Imsety, Hapy, Duamutef, and Qebehsenuef, the Four Sons of Horus with a winged scarab above; restrung. 21.4 grams, 12 cm
Ex Mariaud de Serres, Paris, France, 1990s. From a London, UK, collection.
Winged scarabs were often used as funerary amulets and believed to symbolise the deceased's rebirth and regeneration. The Four Sons of Horus were deities responsible for protecting the deceased's internal organs. Here, on the left, is the erect-eared jackal-headed Duamutef, who protects the stomach. Next is the falcon-headed Qebehsenuef, who protects the intestines. Then comes the human-headed Imsety, protector of the liver, and finally, the baboon-headed Hapy on the right, protector of the lungs. -
Egyptian Silver Poppy Head Amulet
Late Period, 664-332 B.C.Sold for (Inc. bp): £59
With bulb and disc finial, integral shank and gusseted suspension loop. 1 grams, 17 mm
From an early 20th century collection.
Amulets in the form of poppies were used to heal and alleviate pain and to ward off death. These types of amulets were also linked to Osiris, the Egyptian deity of agriculture, death, and the afterlife. -
Phoenician Bronze Scarab
Late 1st millennium B.C.Estimate: £400 - 600 (+bp*)
Opening Bid: £200
Scaraboid with incised detailing to the underside, with a central column depicting standing figures top and bottom, each flanked by two ankh symbols, and a central motif of a standing figure grasping a sceptre and winged serpent in each hand. 6.54 grams, 17 mm
From an early 20th century Home Counties, UK, collection.