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LOT 0009
Egyptian Alabaster Kohl Jars
NEW KINGDOM, CIRCA 1550-1070 B.C.
1 1/2 - 2 1/4 in. (310 grams total, 43-61 mm high).
The larger with squat profile, slight flare to the foot, carinated shoulder and small rounded rim; the smaller with wide flat rim, round shoulder and body tapering to a flat base. [2]
ProvenanceMary Stout Shaw (1880-1962); thence by direct descent to the present owner.
Accompanied by a copy of a 1976 family photo featuring some of the collection on display, the larger kohl jar is clearly visible on a 1976 family photo.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12197-220887.
Cf. Vandier d’Abbadie, J., Les objets de toilette égyptiens au Musée du Louvre, Paris, 1972, pp.79-81, nos.283 and 287, for a similar example of the smaller kohl jar; Guidotti, M.C., Vasi dall’epoca protodinastica al Nuovo Regno, Museo Egizio di Firenze, Rome, 1991, p. 178, no. 248, for a similar example of the larger vessel; for a museum comparable, cf. Metropolitan Museum of Art, acc. no. 35.3.22a, b.
FootnotesMary Kilgour Stone was born in 1880 in Cincinnati, Ohio. On 25 November 1903, she married Percy Wyfold Stout from Gloucester (DSO, OBE, 1875-1937), who had moved to Cairo after an international rugby career.
After fighting in the First World War, Percy became the Director of the Egyptian Delta Land Company and the Anglo-American Nile Tourist Company. He and Mary were friends with the famous Major Gayer-Anderson, who worked as a doctor on the company’s cruise boats between 1930 and 1939. Gayer-Anderson tells in his memoir how this allowed him to make frequent trips to Upper Egypt and fulfil his passion for collecting (and dealing in) ancient Egyptian art.
In his company, Mary became an enthusiast about all things Egypt and formed an elegant collection of ancient Egyptian alabaster vessels,
including the following lots. She was particularly fascinated with the ancient cat goddess Bastet. Therefore, when Gayer-Anderson decided
to give his famous ancient bronze cat to the British Museum in 1939, he made sure the donation was in both his name and Mary Stout Shaw’s, as a tribute to their friendship.
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AUCTIONS:
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LOT 0009
Egyptian Alabaster Kohl Jars
Estimate £1,500 - 2,000€1,740 - 2,320 (for guidance only)$2,030 - 2,700 (for guidance only)
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Egyptian Limestone 'Floral' Inlay Group
Roman Period, 30 B.C.-323 A.D. or earlierSold for (Inc. bp): £85
Group of discoid inlay plaques or gaming counters, crinoids with cinquefoil motif. 80 grams total, 12-19 mm
From a central London ADA gallery, 1990s.
Flowers were symbolic of rebirth due to the daily reopening of their petals after nightfall. As a result, they were widely used in domestic settings, religious and funerary contexts, and as adornments. Similar rosette discs, like those recovered from the Ramesside Period palace at Qantir, were used as decorative elements in royal palaces. -
Large Egyptian Stone Hieroglyphic Scarab for Amenhotep III
New Kingdom, 1386-1349 B.C.Estimate: £700 - 900 (‡+bp*)
Opening Bid: £350
Naturalistically modelled with detailing to the upper body and legs; damaged base with the throne name 'neb-maat-re' of Amenhotep III in cartouche and the god's name Amun-Re below; pierced for suspension. 41 grams, 44 mm
Ex R. Liechti (1934-2010) Geneva, Switzerland, collection between 1950-1990s. -
Egyptian Stone Scarab
Late Period, 664-332 B.C.Sold for (Inc. bp): £572
Black hardstone scarab with finely carved head, eyes, clypeus, prothorax, elytra, and legs; plain underside. 38 grams, 48 mm
Ex Irene Newman, Birdham, Chichester, West Sussex, England. with Stride & Son Auctioneers, Chichester, West Sussex, England, 23 April 2015, no.1599 [Part]. Acquired by the present owner at the above sale.
The scarab, representing the dung beetle, was a popular amulet in ancient Egypt for about two thousand years until the Ptolemaic Period. It extended beyond Egypt and was exported to and manufactured in regions like Phoenicia and Israel. The beetle is named khepri and was considered the embodiment of the creator god Khepri. The Egyptians believed that the beetle emerging from the dung ball was an act of self-creation.