Egyptian Alabaster Bowl

Modelled in the round, formed as the goddess standing before a high-backed throne cradling the head of a standing child to her chest; the goddess with tiered double-crown and tripartite wig; throne with low-relief figure of the lioness-headed goddess Sekhmet to the rear with spread wings forming the arms of the chair. 22.6 grams, 61 mm



with Jean-Phillipe Mariaud de Serres, Paris, France. Private collection, London, UK, acquired from the above in 1992. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12633-235083. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Mut was a prominent mother goddess in ancient Egyptian religion, associated with creation, motherhood, and the sky. She was the consort of the god Amun and the mother of Khonsu, forming the Theban triad with them in Thebes. Mut's name ("mother" in ancient Egyptian), reflects her role as a divine mother and patroness of motherhood. Sekhmet was revered as a powerful and fierce protector. Her presence was believed to ward off evil and safeguard the people from harm. In ancient Egyptian mythology, Sekhmet was also a manifestation of Hathor, another powerful birth goddess.

Modelled in the round figure of Khonsu standing, holding the crook, flail, and long was-sceptre, with false beard and sidelock, wearing a crown consisting of a lunar crescent and disc with uraeus, and a broad collar; the eyes with sheet-silver inlays; mounted on a custom-made stand. 378 grams total, 19 cm including stand



Ex Geneva collection, Switzerland, acquired before 1980. Ex Galerie Günter Puhze GmbH, Germany, 2008. Ex Keane collection, Kent, UK. Accompanied by an original invoice from Galerie Günter Puhze GmbH. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12628-235137. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Khonsu is an ancient Egyptian god of the moon, often depicted as a young man with a sidelock, a uraeus, and headgear featuring a lunar crescent and disc. He is associated with Thoth, another moon god. Together with his father Amun and mother Mut, Khonsu forms the Theban Triad.

Comprising a round-section tapering body with intricate scale detailing, the head resting on the body, detailed face with closed mouth and rounded eyes, an applied gold annulet with two granules above the head; part of the tail absent. 6.79 grams, 26.03 mm overall, 15.77 mm internal diameter (approximate size British J, USA 4 3/4, Europe 8.69, Japan 8)



Ex Dr Leo Mildenberg, Zurich, 1990s. Acquired by Galerie Rhéa, Zurich, from the above in 1999. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Snake rings were not originally a traditional form in Egypt and only became common during the Ptolemaic and Roman Periods. Animal-shaped rings, including those with snake motifs, originated in Western Asia around the eighth century BC, spread to Greece by the fifth century BC, and were introduced to Egypt primarily through the Ptolemaic Period. In Greek culture, snakes were often linked to healing, though they likely carried other symbolic meanings as well.