Egyptian Alabaster Alabastron

Showing a female figure as part of a procession, carrying a loaf of bread, a second offerant behind her; mounted on a custom-made display stand. 3.12 kg total, 42 cm high including stand



From the estate of the late Professor Dr E. Bernardo Streiff, Geneva; a distinguished collection of antiquities formed during the 1950s-1970s. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12625-236383. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Professor Dr E. Bernardo Streiff (1911-2001) was a prominent Swiss physician and academic based in Geneva, best known for his contributions to medical science as well as his deep passion for ancient art and antiquities. Over the course of several decades, particularly between the 1950s and 1970s, Professor Streiff assembled a highly regarded private collection of antiquities, reflecting both scholarly discernment and aesthetic sensitivity. His interests focused on the art and material culture of the ancient Mediterranean, with a particular emphasis on Greek, Etruscan, and Roman objects. A connoisseur guided by academic rigour, Dr Streiff maintained close ties with museums, galleries, and archaeological experts of his time. Many pieces from his collection were acquired from leading European dealers and fairs, and are notable for their quality, provenance, and condition. Following his passing, objects from the Streiff collection have appeared in respected sales and exhibitions, recognised for their integrity and the refined eye of the collector behind them.

Carved in a typical pose, sitting on its haunches with its tail curving around the right side, its front paws resting on its knees and protruding beneath its thick furry pelt, with incised detailing, its feet either side of the phallus, the head with bulbous, striated hair on either side, chipped, snout restored; seated on a high shrine-shaped plinth with squared front and rounded back, featuring a cavetto cornice and roll detailing on the upper part. 1.15 kg, 15 cm



From a deceased American estate, 1970-1989. with Bonham's, London, 28 October 2009, no.35. Accompanied by copies of the relevant Bonham's catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12368-226706. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The baboon was an animal manifestation of the god Thoth, the patron deity of Hermopolis Magna, who was revered for his association with knowledge, writing, and healing.

Modelled in the half-round with low-relief hatched detailing; perching on a D-section base; mounted on a silver support and a wooden display stand. 18 grams total, 55 mm including stand



with Jean-Phillipe Mariaud de Serres, Paris, France. Private collection, London, UK, acquired from the above in 1992. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The falcon inlay possibly symbolises Horus, the god of the sky, war, and protection. Horus was one of the most significant and widely worshipped gods in ancient Egyptian mythology. His importance spans multiple facets of Egyptian religion, including kingship, protection, the sky, and the sun. Depicted in various human and animal forms, Horus played a vital role in Egyptian cosmology, especially as the protector of the Pharaoh and as a representation of divine authority.