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LOT 0007
Egyptian Alabaster Alabastron
LATE PERIOD, CIRCA 664-332 B.C.
3 3/8 in. (174 grams, 87 mm high).
With small everted rim, the body of oval shape with two ear-shaped vestigial handles; rim chipped and base partly absent.
ProvenanceMary Stout Shaw (1880-1962); thence by direct descent to the present owner.
Accompanied by a copy of a 1976 family photo featuring some of the collection on display.
Cf. Aston, B.G., Ancient Egyptian Stone Vessels: Materials and Forms, SAGA 5, Heidelberg, 1994, p.166, no.227a, for a similar example of the type.
FootnotesMary Kilgour Stone was born in 1880 in Cincinnati, Ohio. On 25 November 1903, she married Percy Wyfold Stout from Gloucester (DSO, OBE, 1875-1937), who had moved to Cairo after an international rugby career.
After fighting in the First World War, Percy became the Director of the Egyptian Delta Land Company and the Anglo-American Nile Tourist Company. He and Mary were friends with the famous Major Gayer-Anderson, who worked as a doctor on the company’s cruise boats between 1930 and 1939. Gayer-Anderson tells in his memoir how this allowed him to make frequent trips to Upper Egypt and fulfil his passion for collecting (and dealing in) ancient Egyptian art.
In his company, Mary became an enthusiast about all things Egypt and formed an elegant collection of ancient Egyptian alabaster vessels,
including the following lots. She was particularly fascinated with the ancient cat goddess Bastet. Therefore, when Gayer-Anderson decided
to give his famous ancient bronze cat to the British Museum in 1939, he made sure the donation was in both his name and Mary Stout Shaw’s, as a tribute to their friendship.
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LOT 0007
Egyptian Alabaster Alabastron
Estimate £600 - 800€700 - 930 (for guidance only)$810 - 1,080 (for guidance only)
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Egyptian Limestone 'Floral' Inlay Group
Roman Period, 30 B.C.-323 A.D. or earlierSold for (Inc. bp): £46
Group of discoid inlay plaques or gaming counters, crinoids with cinquefoil motif. 33 grams total, 13-18 mm
From a central London ADA dealership, 1980-1990.
Flowers were symbolic of rebirth due to the daily reopening of their petals after nightfall. As a result, they were widely used in domestic settings, religious and funerary contexts, and as adornments. Similar rosette discs, like those recovered from the Ramesside Period palace at Qantir, were used as decorative elements in royal palaces. -
Egyptian Bronze Statue of a Kneeling Priest
Late Period, 664-332 B.C.Estimate: £300 - 400 (+bp*)
Opening Bid: £150
Kneeling on a rectangular platform with a wide apron covering his thighs, clean-shaven head and hands raised in adoration; tang on the underside for attachment; mounted on a display stand. 41 grams total, statue: 30 mm high
From an early 20th century Home Counties, UK, collection.
Priest figurines like this were commonly placed before a larger deity figurine, both attached to a base, e.g., Schulz, R., Seidel, M., Egyptian Art. The Walters Art Museum, London, 2009, for a kneeling priest before a standing figure of Anubis. -
Egyptian Amarna Period Beaded Fruit Necklace
18th Dynasty, 1332-1346 B.C.Sold for (Inc. bp): £598
Restrung necklace of annular and tabular beads with fructiform amulets. 13.1 grams, 44 cm
Ex London, UK, collection, 1990s.
Petal-shaped beads of faience and glass were widely used in jewellery during the Amarna Period. During this era, advanced production methods enabled the creation of bi-chrome and polychrome designs, which often included newly developed colours. This resulted in vibrant necklaces that resembled festive collars made of natural floral elements.