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LOT 0760
Eastern Roman Gold Hoop Earrings with Stone Inlays
3RD-4TH CENTURY A.D.
1 1/2 in. (9.26 grams total, 37-38 mm).
Each with a hollow-formed crescentic hoop, piriform plaque with inset glass panel and granulated border, hollow-bulb cluster beneath with three applied piriform plaques and granule finial. [2]
ProvenanceAcquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12393-226929.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. The Metropolitan Museum, New York, accession number 08.251.5, .6, for earrings in similar style.
FootnotesAs a result of the expansion of the Roman Empire, jewellery became more and more elaborate in its designs and materials used, such as precious and semi-precious gemstones. This pair of earrings represent a highly baroque evolution of the boat-shaped type, already visible in Etruscan jewellery and certainly in Roman jewellery, as demonstrated by the excavations of Herculaneum. Using the body of the boat-shaped earrings, the late Imperial artist added decorative clusters and applications of pearled borders and precious stones, according to the taste of Eastern Hellenism rooted for centuries in the provinces of the Black Sea and Roman Asia.
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AUCTIONS:
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LOT 0760
Eastern Roman Gold Hoop Earrings with Stone Inlays
Estimate £1,800 - 2,400€2,090 - 2,780 (for guidance only)$2,430 - 3,240 (for guidance only)
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Roman Carnelian Intaglio with Vulcan
1st-century B.C.-1st century A.D.Estimate: £300 - 400 (‡+bp*)
Opening Bid: £150
Depicting a nude blacksmith seated on a stool before a forge, hammer in his right hand, holding an object he is hammering with the other hand. 0.25 grams, 10 mm
Private collection, North Germany. with Gorny & Mosch, 14 December 2005, no.238. Accompanied by a copy of an Art Loss Register certificate no.S00075379. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Probably a Roman copy of Hellenistic subject. Some Roman ring intaglios were dedicated to Vulcan (Greek Hephaestus), god of the blacksmiths, artisans, and carpenters. Usually the god is represented standing or working in his forge, wearing a wide brimmed hat and a one-shouldered tunic, identifying him as a craftsman. In his right hand he holds a hammer over an anvil, and in his left a pair of long metalworking tongs. Sometimes he is naked, seated and working. -
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Roman Silver Mouse Statuette Holding a Nut
3rd-4th century A.D.Sold for (Inc. bp): £845
Modelled in the round with its tail curled on its back, a large disc held in the extended forepaws; mounted on a custom-made display stand. 67 grams total, mouse: 38 mm long
Ex Cambridge, UK, collection, 1990-2010. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Bronze Roman Coin and Framed Limited Edition Print
3rd century A.D. and laterSold for (Inc. bp): £78
The coin of Constantine the Great (272-337 A.D.) mounted on 22 carat gold foil, framed with an art print signed by the artist David McAllister, depicting scenes of Roman military activity; limited edition number 66/1150. 1.26 kg, 49.5 x 37.5 cm
UK gallery, early 2000s. Accompanied by a previous certificate of authenticity. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
David McAllister's exciting design is a 'one of a kind' work that portrays the might and riches of the Roman civilisation. This limited edition print is a celebration of the award winning artist's lifetime dedication to historical paintings of the ancient world. To enhance appreciation of this rare and historic work, each individual print is signed and numbered by the artist.
