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LOT 0544
Eastern Greek Gold Lozenge-Shaped Brooch
5TH-3RD CENTURY B.C.
1 1/4 in. (3.88 grams, 33 mm).
Retaining the pin lug and catchplate to reverse, filigree borders and scrolls to the perimeter, central cell adorned with filigree ropework and petals; stone replaced. [No Reserve]
ProvenanceFrom the collection of a North American gentleman, formed in the 1990s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Greek Bronze Ring with Figures
4th-2nd century B.C.Sold for (Inc. bp): £39
Composed of a hoop with convex outer face and an elliptical bezel bearing two incuse human figures, kneeling and facing each other. 5.11 grams, 25.35 mm overall, 21.01 mm internal diameter (approximate size British S, USA 9, Europe 20, Japan 19)
UK collection, early 1990s and before. Acquired on the UK art market since the early 2000s. From a private collection, Lancashire, UK. -
Greek Chalcedony Dolphin Pendant
Circa 4th century B.C.Sold for (Inc. bp): £520
Carved in the round with an integral suspension loop to the underbelly; simple facial detailing. 0.84 grams, 16 mm
Acquired 1970-2010. Collection of a late Japanese gentleman. -
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Eastern Greek Carnelian Scarab Seal
6th-5th century B.C.Sold for (Inc. bp): £5,200
Modelled with semi-naturalistic anatomical detailing, the base displaying a battle showing a mature and muscular naked man grappling with a winged gryphon; drilled for suspension. 2.29 grams, 16 mm
Ex F.A., Brussels, 1980. Private collection of a London antiquarian.
Combat between a man and gryphon is a well-attested subject matter on Greek scarabs. A faience factory was found in Naukratis by Flinders-Petrie, with innumerable faience and discarded moulds. The motifs on the bottom surface are repetitive and hurriedly worked. They depict lucky symbols or representative subjects (lions with sun disc, ibex, Horus falcons, lotus flowers); such motifs had already been adopted into Greek art but are generally considered typically Egyptian. Here the subject of a fight against a gryphon is Greek, although the style of the fighting character seems Phoenician, which points to Eastern Mediterranean workmanship, possibly on the Island of Rhodes.
