Loading, please wait...
Details
LOT 0033
Eastern Greek Carnelian Scarab Seal
6TH-5TH CENTURY B.C.
5/8 in. (2.29 grams, 16 mm).
Modelled with semi-naturalistic anatomical detailing, the base displaying a battle showing a mature and muscular naked man grappling with a winged gryphon; drilled for suspension.
Provenance
Ex F.A., Brussels, 1980.
Private collection of a London antiquarian.
Literature
Cf. a comparable scene in Boardman, J., Greek Gems and finger rings, early Bronze Age to Late Classical, London, 1973 (2001), no.361.
Footnotes
Combat between a man and gryphon is a well-attested subject matter on Greek scarabs. A faience factory was found in Naukratis by Flinders-Petrie, with innumerable faience and discarded moulds. The motifs on the bottom surface are repetitive and hurriedly worked. They depict lucky symbols or representative subjects (lions with sun disc, ibex, Horus falcons, lotus flowers); such motifs had already been adopted into Greek art but are generally considered typically Egyptian. Here the subject of a fight against a gryphon is Greek, although the style of the fighting character seems Phoenician, which points to Eastern Mediterranean workmanship, possibly on the Island of Rhodes.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
RELATED LOTS
-
Greek Bronze Eagle Standing on Bull's Head
1st century B.C.Sold for (Inc. bp): £156
Formed in the round as an eagle standing on the head of a bull, each animal showing semi-naturalistic detailing; socket and loop through the centre. 5.64 grams, 28 mm
Ex private collection, 1980s. Acquired on the UK art market in the 1990s. -
Greek Bronze Furniture Fitting Group
3rd-2nd century B.C.Estimate: £100 - 140 (+bp*)
Opening Bid: £40
Comprising over 20 hollow-formed bicones. 790 grams total, 21-96 mm
Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister. -
Graeco-Roman Megarian Terracotta Cup with Nymphs
2nd century B.C.Sold for (Inc. bp): £208
Hemispherical in form with decoration in relief featuring fluting alternating with nymphs and symbols beneath an architectural border, cracked and chipped. 257 grams, 11.9 cm wide
Private Dutch collection, 1970-2010. Ex private Dutch collection, 2010-2018.
The term ‘Megarian’ bowl applied to this type of pottery is a modern convention for academic purposes. The name ‘Megarian’ was first given to this type of mould-made relief bowl in the late 19th century, because some of the first known examples were said to have come from the city of Megara. In reality, such terracotta items originated in Athens in the 3rd quarter of the 3rd century BC, and from that point were made in all major Greek cities for the duration of the Hellenistic period and into the Roman, especially in Alexandria. This relief-decorated pottery became more popular than painted pottery during the Hellenistic period. This class of hemispherical bowl was made in moulds and was characterised by decoration imitating metallic beakers. When the finished bowl was taken from the mould, it was probably dipped in varnish or dull paint and fired. According to Prof. P.V.C. Baur, the stamps used for making moulds were not produced in every manufacturing centre of ‘Megarian’ bowls, but were made only in important centres such as Athens, Pergamon, Antioch and Alexandria, and sold to potters throughout the Hellenistic world. The fact that the edge of the bowl is turned outwards suggests Athenian production, and a comparison with the decorative petals on the Delian Cup (no.1913.199 of the Rebecca Darlington collection) is also plausible.