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LOT 1886
Eastern European Bronze Folding Triptych Icon of the Mother of God 'Joy of All Who Sorrow'
CIRCA 1850'S A.D.
3 1/2 in. (85 grams, 90 mm).
Representing the subject of the advocation of Virgin Mary, depicted as a haloed robed woman, standing with her arms extended outwards, figures kneeling at her side, Greek inscription 'ΜΡ ϴΥ’ (Mother of God) above; the other panels with the entrance of Christ in Jerusalem (top left); the Presentation to the Temple (bottom left); the Resurrection (top right) and the Ascension (bottom right); Cyrillic inscriptions over each of the scenes; on the crest and finial, the Trinity (three angels with cups) flanked by Cherubins, the Mandylion above. [No Reserve]
ProvenanceAcquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1.
From the private collection of a West London, UK, gentleman, formed since the early 2000s.
Cf. Eighme Ahlborn, R., Beaver-Bricken Espinola, V., Russian Copper Icons and crosses from the Kunz Collection: Castings of Faith, Washington, 1991, nos.25819.099., p.53, for similar iconography.
FootnotesThe icon represents the Intercession of Mary, 'Joy of all who sorrow'. It formed the central part of a triptych with the Mother of God at the centre, surmounted by iconography of veneration. The other parts of the triptych are embossed with scenes of the lives of Christ.
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LOT 1886
Eastern European Bronze Folding Triptych Icon of the Mother of God 'Joy of All Who Sorrow'
Sold for (Inc. bp): £156
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Painted Wooden Icon with the Virgin of Tenderness
Russia, 16th-17th centuries A.D.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,500
Executed in oil and tempera with painted image of nimbate Mary embracing the nimbate infant Jesus; head of Mary with gilded nimbus and russet-coloured veil; the Virgin is shown in half length, wearing a red-gold fringed maphorion with elaborate golden saltires on the shoulders, over a dark blue robe, visible only on the gold embroidered cuffs; the child touching his mother's chin, holding a furled scroll in his left hand and dressed in blue tunic and wrapped in a gold-orange shawl; on upper left of the Virgin’s head Greek inscriptions 'ΜΡ ΘΥ' (Μήτηρ (τοῦ) Θεοῦ = Mother of God) and beside the Divine Child inscription in Greek letters 'ΙϹ ΧϹ' (ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ = Jesus Christ); inside the nimbus of Christ three letters (only two visible) representing the continuous divine self-existence of Christ as God (O ѾN = The Only One who always exists); rectangular wooden board with mounting slots and bar to reverse. 1.78 kg, 45 x 35.5 cm
Acquired on the UK art market. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12928-246333.
This splendid specimen comes most probably from an ancient private aristocratic Russian household. It has a superb quality and consists in a refined representation of the Mother of God known as Eleousa (Umilyenie in Russian), in which the Virgin tenderly embraces the Christ Child. Characterised by an affectionate embrace of Mary and the Christ Child, the image combines the themes of maternal love and the Passion of Christ. -
Egyptian Style Stone Amulet Group
20th century A.D.Sold for (Inc. bp): £26
Various forms, including stylised sun disc on pedestal, full moon with crescent, and shen sign. 11.9 grams total, 10-21 mm
with Archaeologia, Switzerland, before 1983. Ex private North American collection. London private collection, 2016. -
Post Medieval Crotal Bell Collection
Circa 17th-19th century A.D.Sold for (Inc. bp): £39
All with suspension loop, slot to underside and vents above; some with incised decoration. 581 grams total, 31-49 mm
Found Suffolk, UK.
