Cypriot Terracotta Jar

Right foot from a statue, hollow-formed and modelled in naturalistic style, with toes slightly curled; with surface deposits and traces of pigment. 868 grams, 19 cm



From the private collection of C.H., Niedersachsen, acquired between the 1960s and 1987. Acquired from Gorny & Mosch, Munich, Germany, 18 December 2018, lot 94 (part). Property of a South Australian private collector, with collection reference 18.10. Accompanied by detailed collector's catalogue pages including description and photograph. Accompanied by a copy of the Gorny & Mosch invoice.

Tapering flat-section body with ledge base, stub arms, applied facial detailing, tall polos headdress. 157 grams, 23 cm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. Accompanied by a thermoluminescence analysis report from Oxford Authentication no.N124d7. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12087-214721.

With spherical body, conical neck and pinched trefoil mouth, gusseted strap handle; concentric painted circles to each lateral face and to the neck, fish motif beneath the spout and trefoil beneath the handle; repaired. 495 grams, 21.2 cm high



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

In the Bichrome Ware, at the early Iron Age of Cyprus, patches of lines of reddish-brown paint were added to the black, on the pale background. Two styles of painting are prevalent: the rectilinear and the circle. The rectilinear style was more diffused in the eastern and southern regions of Cyprus, the circle one is found mainly in the western and northern areas.