Cypriot Brown Ware Jug

With a flared and carinated foot, meander patterns around the lower body, band of rosettes encircling the neck, gusseted handles with masks to the outer faces opening to two columnar legs, broad shoulder with loops flanking the handles; red-figure scenes to the neck and body: Side a: above, a quadriga with Nike at the reins, wings spread; below, naiskos with flanking columns, hero standing beside his horse, resting on his spear, wearing a muscled armour, surrounded by seated and reclining females and youths in various poses, one of the youths holding the hero's pointed boots in his hand; Side b: above, a palmette, below column with decorative ribbons flanked by two seated males and two females offering votive gifts; some restoration. 13.85 kg, 78.5 cm high



Private collection, Neuchâtel, Switzerland. Ex collection H.& P. Payot, Clarens, by descent. Accompanied an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12066-218199.

Monumental kraters such as this one are typical of the Apulian red-figure production that developed between circa 440 and 300 B.C. in the region of the Greek colonies of Taranto and Metaponto in Southern Italy, where they were used as tomb markers in cemeteries. Here the painter focuses on the celebration of the hero-warrior, surrounded by young women and men, the image of the victorious leader is emphasised by the full panoply and iconography of Nike.

D-shaped and plano-convex in section with raised hair, lentoid eyes, large cup-shaped mouth. 31.1 grams, 26 mm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Modelled with wide and squat body; raised, biforal handle, saddle-shaped on top and grooved on the front with cross-hatch below; small projections emerging from the sides and an incised zigzag line around the lower body. 170 grams, 13 cm wide



Ex Carlton collection, Los Angeles, acquired 1965-1980. Acquired from Artemis Gallery, Colorado, USA, 21 November 2017, lot 24. Property of a South Australian private collector, with collection reference 17.08. Accompanied by detailed collector's catalogue pages including description and photograph. Accompanied by an Artemis certificate of authenticity dated 27 November 2017.

Di Genarro notes that the pottery forms appearing as standard grave goods are designed for containing, serving and drinking a beverage, which suggests the consumption of wine as a focus of funerary ideology.