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LOT 0556
Cypriot Brown Ware Jug
LATE BRONZE AGE, CIRCA 1700 B.C.
10 in. (1.03 kg, 25.5 cm).
Comprising a bulbous body with slightly conical underside, tapering tubular neck and everted flange rim, loop handle to the shoulder; restored. [No Reserve]
ProvenanceFrom a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
Cf. Morris, D., The Art of ancient Cyprus, Oxford, 1985, fig.16 p.39, pl.32a, for similar.
FootnotesWheelmade red lustrous ware was a ceramic of foreign origin which found its way into Cyprus during the Late Bronze Age, when international trade was widespread. According to Karageorghis it originated in Anatolia during the early Bronze Age but was known in Alasya (Cyprus) during the Late Bronze Age II.
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Greek Apulian Red-Figure Pottery Lekanis
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With black-glazed pale tan body and original matching lid decorated with two heads of ladies of fashion, palmettes between, radial lines on the knob handle and a waveband around the rim. 182 grams total, 9.3-14.2 cm wide
Old Belgian private collection, thence André Munter Archéologie, Brussels, Belgium. Property of a Bristol, UK, gentleman. -
Very Large Cypriot Bichrome Ware Pottery Amphora
Iron Age, Cypro-Geometric, 950-850 B.C.Sold for (Inc. bp): £6,240
With narrow base, oblate profile, two lateral loop handles to the shoulder, broad neck and flared rim to the mouth; painted bands of circumferential geometric ornament, linear with lentoid motifs, radiating bars to the mouth. 8.5 kg, 53.5 cm
with Christie's, South Kensington, 4 November 1992, no.33. From an important Cambridgeshire estate; thence by descent. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12088-214715. -
Monumental Apulian Red-Figure Volute Krater Attributed to the Licurgus Painter
Circa 330 B.C.Estimate: £50,000 - 70,000 (‡+bp*)
Opening Bid: £22,222
With a flared and carinated foot, meander patterns around the lower body, band of rosettes encircling the neck, gusseted handles with masks to the outer faces opening to two columnar legs, broad shoulder with loops flanking the handles; red-figure scenes to the neck and body: Side a: above, a quadriga with Nike at the reins, wings spread; below, naiskos with flanking columns, hero standing beside his horse, resting on his spear, wearing a muscled armour, surrounded by seated and reclining females and youths in various poses, one of the youths holding the hero's pointed boots in his hand; Side b: above, a palmette, below column with decorative ribbons flanked by two seated males and two females offering votive gifts; some restoration. 13.85 kg, 78.5 cm high
Private collection, Neuchâtel, Switzerland. Ex collection H.& P. Payot, Clarens, by descent. Accompanied an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12066-218199.
Monumental kraters such as this one are typical of the Apulian red-figure production that developed between circa 440 and 300 B.C. in the region of the Greek colonies of Taranto and Metaponto in Southern Italy, where they were used as tomb markers in cemeteries. Here the painter focuses on the celebration of the hero-warrior, surrounded by young women and men, the image of the victorious leader is emphasised by the full panoply and iconography of Nike.