Loading, please wait...
Details
LOT 0067
Cypriot Archaic Stone Statue of a Votary
IRON AGE, 6TH CENTURY B.C.
22 in. (7.3 kg, 55.5 cm including stand).
Standing erect on a square base wearing an ankle-length robe with mantle with segmented edge draped from the left shoulder, left arm straight at his side right arm bent and fist clenched at the breast; hair cut in a bobbed style with frontal band, collected in a Near-Eastern head-cloth falling down his back; bare feet with toes emphasised; mounted on a custom-made stand. [No Reserve]
Provenance
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12046-217199.
Literature
Cf. Museum of Fine Art Boston, Art of ancient Cyprus, Boston, 1972, figs.35, 37,43; Spiteris, T., The art of Cyprus, London, 1970, fig.p.169; Morris, D., The Art of Ancient Cyprus, Oxford,1985; Karageorghis,V., Early Cyprus, Crossroads of Mediterranean, Los Angeles/Milano, 2002.
Footnotes
The sculpture is a good example of the mixed Near Eastern and Attic Ionian styles reflected in Cypriot sculpture. Cypriot art was often influenced by both Greek and Near Eastern styles, although in phase H of the archaic period (680-400 B.C.) the Greek influence became stronger, perhaps as a result of intensified trade and political contacts between the continent, Ionia and the Aegean islands.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
RELATED LOTS
-
Villanovan Impasto Oinochoe with Graffiti
Circa 8th century B.C.Sold for (Inc. bp): £624
Three-lobed mouth with elongated beak, truncated-conical neck, shoulder with a convex profile, biconical body, low and flat foot, double rod handle set on the mouth and shoulder; small hole below equator. 592 grams, 21 cm high
Showplace Auction Centre, auction 308, lot 174. Property of a South Australian private collector, with collection reference 23.09. Accompanied by detailed collector's catalogue pages including description and photograph.
There is a similar vessel in Collection CA p18 n17 without decoration. The form is the same (height 25cm). Different varieties of it are known depending on the high or short neck, the flattened or globular or ovoid body, the flat or ring-shaped or splayed foot, the ribbon-like handle or the single or multiple rod. The known specimens come from different localities: Narce, Faleri, Bisenzio, Vetulonia, Tarquinia, Volsiniese countryside, upper Fiora valley. For parallel with ribs, see Antikenmuseum Basel + Sammlung Ludwig, p. 19, E 9, Schnabelkanne aus Impasto, first half seventh century, height 22.6cm. The shape of this handmade pot is particularly bold and simple. The few attached ribs, the bar handles brought together at the top, the high neck and the steep, cloverleaf-shaped mouth form ascending lines, but at the same time contribute to the balance of the shape due to their curve. These pots have primarily been found in Bisenzio, where they were probably made. -
Cypriot White-Slip Ware Jug
Circa 1450-1200 B.C.Sold for (Inc. bp): £3,120
With bulbous body and slender tapering neck with strap handle to the rear, trumpet-shaped mouth; hatched bands and lozenges to the body and shoulder, multilinear rings to the neck; old collector's label marked '4' and '15.79' inked to the underside. 251 grams, 17.2 cm
Red-ink inscription '15.79' to the base suggesting it may have been deaccessioned from The Metropolitan Museum of Art. From an important Cambridgeshire estate; thence by descent. -
Etrusco-Corinthian Bowl with Painted Ducks
575-550 B.C.Sold for (Inc. bp): £845
Squat skyphos on a low, pared conical base; two small horizontal handles round in section, short flaring everted rim; painted in dark brown with decoration limited to two window-like areas between the handles; on either side of the bowl two large ducks moving to the right with incision and overpaint clarifying the mass of the bodies, wings indicated with two quick horizontal strokes and a row of pendant arcs or scallops with dots of red and white overpaint for a rich, feathered effect; rosettes filling the space around the ducks. 257 grams, 18 cm wide
In the collection of Mr Ulfert Wilke, founding Director of the University of Iowa Museum of Art. Acquired from Ulfert Wilke on 29 May 1968. From the collection of Dr Howard Sirak, Columbus, Ohio, USA. Ex I.M. Chait Gallery, Los Angeles, USA, 14 December 2020, lot 212. Property of a South Australian private collector, with collection reference 20.34. Accompanied by detailed collector's catalogue pages including description and photograph.
The catalogue cites this piece as no. 3.10 from the Wilke Collection and the original sticker is on the base. The catalogue was for the exhibition at the University of Iowa Museum of Art from 17 March to 30 April 1971.
