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LOT 0067
Cypriot Archaic Stone Statue of a Votary
IRON AGE, 6TH CENTURY B.C.
22 in. (7.3 kg, 55.5 cm including stand).
Standing erect on a square base wearing an ankle-length robe with mantle with segmented edge draped from the left shoulder, left arm straight at his side right arm bent and fist clenched at the breast; hair cut in a bobbed style with frontal band, collected in a Near-Eastern head-cloth falling down his back; bare feet with toes emphasised; mounted on a custom-made stand. [No Reserve]
ProvenanceFrom a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12046-217199.
Cf. Museum of Fine Art Boston, Art of ancient Cyprus, Boston, 1972, figs.35, 37,43; Spiteris, T., The art of Cyprus, London, 1970, fig.p.169; Morris, D., The Art of Ancient Cyprus, Oxford,1985; Karageorghis,V., Early Cyprus, Crossroads of Mediterranean, Los Angeles/Milano, 2002.
FootnotesThe sculpture is a good example of the mixed Near Eastern and Attic Ionian styles reflected in Cypriot sculpture. Cypriot art was often influenced by both Greek and Near Eastern styles, although in phase H of the archaic period (680-400 B.C.) the Greek influence became stronger, perhaps as a result of intensified trade and political contacts between the continent, Ionia and the Aegean islands.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Cypriot Archaic Stone Statue of a Votary
Iron Age, 6th century B.C.Sold for (Inc. bp): £2,210
Standing erect on a square base wearing an ankle-length robe with mantle with segmented edge draped from the left shoulder, left arm straight at his side right arm bent and fist clenched at the breast; hair cut in a bobbed style with frontal band, collected in a Near-Eastern head-cloth falling down his back; bare feet with toes emphasised; mounted on a custom-made stand. 7.3 kg, 55.5 cm including stand
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12046-217199.
The sculpture is a good example of the mixed Near Eastern and Attic Ionian styles reflected in Cypriot sculpture. Cypriot art was often influenced by both Greek and Near Eastern styles, although in phase H of the archaic period (680-400 B.C.) the Greek influence became stronger, perhaps as a result of intensified trade and political contacts between the continent, Ionia and the Aegean islands. -
Greek Lucanian Red-Figure Bell-Krater
Circa 380-370 B.C.Estimate: £10,000 - 14,000 (‡+bp*)
Opening Bid: £5,000
Decorated with a meander with saltire squares below the figural scenes, and a laurel below the rim; Side A: a nude gesticulating satyr with short curly hair and long beard, running to the right with his left leg raised and his arms outstretched, characteristic pointed ears and pug nose, towards a maenad moving right and looking back at him, her hair short and curly, her body draped in a chiton, with another maenad standing behind him, facing left, draped in a himation over a chiton; Side B: three youths in draped cloaks with hoods thrown back; professionally restored. 2.1 kg, 29 cm wide
Fine condition, professionally restored.
Belgian private collection, 1950s. with Christie's, New York, 4 June 2008, no.190. Private central European collection. Accompanied by a copy of the relevant Christie's catalogue pages. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12067-218141.
The style allows us to attribute this vase to an unknown artist of Lucanian origin: it is in ancient Lucania (a region which is located between present-day Calabria and Basilicata, in Southern Italy and between the Tyrrhenian Sea and the Ionian Sea, with Metaponto as a well-known city) that the first Italic style of red-figure painting developed. -
Cypriot Bichrome Ware Amphora
Cypro-Archaic I, 750-600 B.C.Sold for (Inc. bp): £234
With trumpet-shaped foot, piriform body, rounded shoulder, broad neck and flared rim, two lateral strap handles, circumferential painted bands. 374 grams, 14.5 cm high
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.