Coptic Marble Liturgical Vessel Fragment with Inscription

Modelled in silhouette with painted detailing; mounted on a custom-made stand. 24.15 grams total, 73 mm including stand



with Eternal Egypt, London, UK. Private collection, London, UK, acquired from the above on the 21 May 1992. Accompanied by a copy of the Eternal Egypt invoice. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Showing the jackal deity Wepwawet standing with ears pricked on a sledge, the slender body modelled with long legs and a tail, suspension loop on the back; two rearing cobras before the jackal; mounted on a custom-made display stand. 54 grams, 91 mm (162 grams total, 11.7 cm including stand )



Ex Dr R. and Mrs L.B., Zumikon, Switzerland. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12627-236406. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Wepwawet, meaning "Opener of the Ways," was an ancient Egyptian god associated primarily with warfare, protection, and funerary practices. Depicted as a jackal or a man with a jackal's head—often mistaken for Anubis—Wepwawet was believed to guide souls through the afterlife and open paths both in battle and in the spiritual realm. He originated in Asyut (ancient Lycopolis) in Upper Egypt and was one of the oldest deities in the Egyptian pantheon, with worship dating back to at least the First Dynasty (c. 3100–2900 BCE). Over time, Wepwawet became closely linked to Anubis, and the two were sometimes conflated, though Wepwawet retained his distinct identity as a god who preceded and cleared the way. In military contexts, Wepwawet was invoked to "open the way" for pharaohs and armies, ensuring victory and safe passage. In funerary texts, he was described as clearing the path to the afterlife, acting as a scout or guide for the deceased.

Carved rectangular plaque with central recess, carved image of a nude female modelled in the half-round with a deeply striated bag wig, arms by her side; traces of red and black pigment on the body; mounted on a custom-made stand. 502 grams total, 17.1 cm including stand



From a central London collection, formed 1980-2000. From the private collection of Mr David Barker, London, UK; thence by descent. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The rectangular limestone plaque almost certainly represents a shrine. Such plaques first appeared in Lower Egypt and became widespread in the Late Period and Ptolemaic era. They may have developed from earlier female figurines depicted on beds and are usually associated with the female goddesses Isis and Hathor, both powerful protectors of women and childbirth and associated with fertility.