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LOT 0026
Coptic Marble Liturgical Vessel Fragment with Inscription
6TH CENTURY A.D.
2 1/8 in. (87 grams, 55 mm).
Tongue-shaped with low rounded pad on the underside, raised edge with low-relief decoration of grape vines and leaves, the edge with pairs of opposing doves eating grapes; dedicatory Demotic inscription on the underside.
ProvenanceAcquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12575-232108.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See Atalla, N.S., Coptic Art, Sculptures, Architecture, L'Art Copte, II, Cairo, 1989, figs. pp.109ff., for similar carved interlaces; Rutschowscaya, M.H., Benazeth, D., L’Art Copte en Égypte, 2000 ans de Christianisme, Paris, 2000, figs.109-118; Poupaki, E., ‘Early Byzantine Marble Vases from Kos Island, Dodecanese, Greece’ in Diamanti, C., Vassiliou A. (eds.), Eν Σοφίᾳ μαθητεύσαντες, Essays in Byzantine Material Culture and Society in Honour of Sophia Kalopissi-Verti, Oxford, 2019, figs.2-3, for a possible parallel.
FootnotesThese vessels were used as liturgical objects for church offerings or ritual cult and were extensively employed from late antiquity in ecclesiastical contexts.
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LOT 0026
Coptic Marble Liturgical Vessel Fragment with Inscription
Estimate £1,800 - 2,400€2,090 - 2,780 (for guidance only)$2,430 - 3,240 (for guidance only)
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Phoenician Bone Sphinx
5th century B.C.Estimate: £800 - 1,000 (‡+bp*)
Opening Bid: £400
Seated with curving wings flanking the body and stocky body resting on over-sized lion-paws, small female head with rounded facial features and curly hair; hollow inside. 21.2 grams, 35 mm
Ex Dr Leo Mildenberg, Zurich, 1990s. with Galerie Rhéa, Zurich, Switzerland. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Leo Mildenberg (1913–2001) was a distinguished numismatist and antiquities collector, widely recognised for his deep passion for ancient art, especially animal figures. Born in Germany and later based in Switzerland, Mildenberg built a renowned private collection that reflected his keen eye for craftsmanship and historical significance. His collection spanned cultures and periods, including Egyptian, Near Eastern, Greek, and Roman artefacts, with a particular emphasis on zoomorphic sculptures and votive figures. Portions of Mildenberg’s collection have been exhibited in major museums and featured in auction catalogues that remain important reference sources for scholars and collectors alike. -
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From the property of a London, UK, gentleman, 1970-2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Baboons were observed worshipping the rising sun with raised arms, a behaviour that Egyptians interpreted as divine reverence. The scarab's imagery symbolises cosmic harmony and sacred wisdom, with the baboon (a manifestation of Thoth in his lunar aspect) showing reverence to an obelisk (a symbol of the solar god, Ra). Thus, it blends moon and sun symbolism, embodying balance, cyclical renewal, divine order, and the interplay between knowledge (Thoth) and power (Ra). The neb sign indicates lordship or possession over all the celestial forces.