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LOT 1379
Civil War Iron Cannon Ball
CIRCA MID 17TH CENTURY A.D.
4 in. (4.05 kg, 10 cm).
Solid shot suitable for a saker or demi-culverine. [No Reserve]
ProvenanceFrom a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
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AUCTIONS:
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Stone Ballista Catapult Shot
Roman, 1st-3rd century A.D. or laterSold for (Inc. bp): £26
Roughly spherical stone cobble with impact scar. 973 grams, 81 mm
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
The operation of the onager (Latin for 'wild ass') is first mentioned in 353 A.D. by Ammianus Marcellinus in his Res Gestae and more fully in Vegetius's Epitoma Rei Militaris probably written in the reign of Emperor Theodosius I (378-395 A.D.). -
Margiana Bronze Axehead
Late 2nd millennium B.C.Estimate: £200 - 300 (+bp*)
Opening Bid: £111
With a narrow neck and rounded bill-shaped blade, rounded wings to the socket and square-headed stud behind. 289 grams, 18.3 cm
Ex Abelita family collection, 1988.
These categories of axes were of Oriental production, coming from the territories of Bactria and Margiana, occasionally imported to Elam and Luristan. The anthropomorphic and zoomorphic patterns are sometimes visible, and the button at the back of the heel (very common) is related to examples from Luristan, but the style differs markedly. -
Luristan 'Master of Animals' Bridle Bit
Circa 9th-7th century B.C.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,500
Comprising: a square-section bar with the ends scrolled in opposite directions; matched pair of outward-facing detailed openwork castings, each cheek-piece showing a god with a horned head above a figural scene with two opposed human figures in profile advancing towards a column with profile animal heads and other detailing; accompanied by a custom-made stand. 1.17 kg total, 19.5 cm wide including stand
From an old private Japanese collection. Acquired from Shimojo Art, Tokyo, Japan, in 2014. From the private collection of a North West London, UK, gentleman. Accompanied by a previous collection photograph, and the original official Japanese cultural export certificate issued by the Director of Art and Curatorial Division, Cultural Properties Department, Agency for Cultural Affairs, and invoice, dated 7th November 2014. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12050-217397.
In the Mesopotamian world the forces of chaos are often represented by animals and the gods are seen as the restraining force to these unpredictable powers that could harm the human world. The presence of horns on these figures distinguishes them as being divine and is often found being worn by kings who saw themselves as close to the gods.
