Civil War and Later Lead Musket and Pistol Ball Group [100]

Cross botonny with suspension loop, ring-and-dot to centre of obverse. 18.3 grams, 50 mm



From an old Lincoln, UK, collection, 1950s-1970s. From the property of a late Lincolnshire, UK, gentleman.

The pectoral cross, also called the neck cross, is much smaller in the Orthodox Ethiopian world (and in general in all Orthodox world) than both the processional and the priests' cross. These crosses, secured by a blue string or cord, adorn the necks of the faithful. Many people receive their pectoral cross at baptism. They are made from a range of materials: bronze, silver, iron, horn, and occasionally gold. The richness of ornaments and the complex structure of Ethiopian crosses give a picture of an extraordinary culture, that of one of the world’s oldest Christian societies. The ornaments and forms of the crosses of Ethiopia are unique and instantly recognisable.

Finely wrought oval mirror case featuring a vivid polychrome enamel scene on a black ground, enclosed within a gilt-copper frame; the front adorned with a depiction of Mercury, identifiable by his winged helmet and caduceus, standing beneath a classical arch flanked by stylised columns and vases of flowers; above the entablature, a canopy held aloft by two snails, while twin pouring ewers crown the upper corners, issuing stylised streams; the architectural and ornamental elements highlighted with translucent and opaque enamel, highlighted with gilding and intricate punchwork; the frame with a guilloche border, surmounted by a pierced rocaille loop with a scallop motif, and terminating below in a turned pendant finial; the sides of the frame engraved with a delicate foliate frieze, the reverse flat-chased with three vases of stylised flowers issuing from scrolled supports, framed above by draped swags, butterflies, and a winged cherubic mask; the case hinges open at the top, the interior, originally fitted with mirrored glass, now partially oxidised but retaining areas of reflection. 168 grams, 14.4 cm



Private collection, France. Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12998-246011.

The enamel composition is directly derived from a print by Étienne Delaune (1518/19-1583), from his series Grotesques à Fond Noir, Dieux et Déesses, created in France c.1550–1572 prior to his departure for Strasbourg. Delaune’s engravings were a principal source for Limoges enamellers of the late 16th and early 17th centuries, particularly in the production of oval mirror plaques for personal toilette or cabinet display.

Comprising casts taken from cameos and intaglios featuring labours of Hercules and other subjects, smaller ones numbered. 135 grams total, 50-76 mm



From a private Tyneside collection, formed since the early 2000s.