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LOT 2054
Chinese Wei Terracotta Female Musician
NORTHERN WEI DYNASTY, 386-534 A.D. OR LATER
10 1/2 in. (1 kg, 27 cm).
Dressed in a long robe with her feet emerging from beneath the hem, hands raised to hold an object; hair dressed in an elaborate coiffure; repaired.
ProvenanceEx West Country, UK, collection, 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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AUCTIONS:
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LOT 2054
Chinese Wei Terracotta Female Musician
Estimate £250 - 350€290 - 410 (for guidance only)$340 - 470 (for guidance only)
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Chinese Ming Green Glazed Figure
Ming Dynasty, 1368-1644 A.D. or laterEstimate: £180 - 240 (+bp*)
Opening Bid: £90
Standing erect on a hexagonal socle base, wearing a floor-length robe and conical cap, the arms held before the body inside the sleeves supporting a scribe's brush-box. 1.64 kg, 41.5 cm
Ex West Country, UK, collection, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Tibetan Style Banded Agate and Glass Bead Necklace
20th century A.D.Sold for (Inc. bp): £286
Composed of graduated biconical beads showing attractive banding, five fusiform with etched zi-designs; restrung with a screw clasp. 260 grams, 92 cm
From the family collection of a Hampstead gentleman; formerly acquired in the 1980s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Chinese Ming Green-Glazed Musician with Drum
Ming Dynasty, 1368-1644 A.D. or laterSold for (Inc. bp): £46
Modelled standing on a tiered base; wearing a tall hat, a floor-length robe and boots; arms held in front of his body above a drum strapped to his waist; green and brown glaze. 494 grams, 24 cm
Ex H.N. collection, Milton Keynes, UK, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
China provides some of the earliest traces of music making. These are mainly in the form of well-preserved musical instruments, the tangible evidence of music. Over several millennia, musical instruments from regional indigenous traditions as well as from India and Central and West Asia were assimilated into the mainstream of Chinese music. Some of the most ancient instruments have been retained, transformed, or revived throughout the ages and many are in common use even today, testifying to a living legacy of a durable art. This legacy is frequently celebrated in the visual arts of China, documenting rituals and celebrations, or as status symbols of those whose lives were enhanced by the resonate sounds of instruments. Ancient Chinese people believed they would go to an afterlife when they died. So they placed miniature versions of things for everyday use in tombs for the deceased, such as these musicians, hoping that the dead could enjoy the next life like when they were alive. These grave objects gradually developed into funerary artworks and reflected the social standing of the deceased.
