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LOT 2055
Chinese Tang Terracotta Court Lady
TANG DYNASTY, 618-907 A.D.
15 1/4 in. (2.76 kg, 39 cm).
Standing in a relaxed manner and wearing a long court robe falling down to her feet in heavy pleas, delicate fan pattern to the fabric of the robe, holding a small fan in her hands covered by the voluminous sleeves, hair dressed in a high top-knot, red-painted cheeks.
ProvenanceEx West Country, UK, collection, 1990s.
Accompanied by an original thermoluminescence analysis report no.C122g72 from Oxford Authentication.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12750-235736.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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AUCTIONS:
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Chinese Ming Green-Glazed Musician with Drum
Ming Dynasty, 1368-1644 A.D. or laterSold for (Inc. bp): £46
Modelled standing on a tiered base; wearing a tall hat, a floor-length robe and boots; arms held in front of his body above a drum strapped to his waist; green and brown glaze. 494 grams, 24 cm
Ex H.N. collection, Milton Keynes, UK, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
China provides some of the earliest traces of music making. These are mainly in the form of well-preserved musical instruments, the tangible evidence of music. Over several millennia, musical instruments from regional indigenous traditions as well as from India and Central and West Asia were assimilated into the mainstream of Chinese music. Some of the most ancient instruments have been retained, transformed, or revived throughout the ages and many are in common use even today, testifying to a living legacy of a durable art. This legacy is frequently celebrated in the visual arts of China, documenting rituals and celebrations, or as status symbols of those whose lives were enhanced by the resonate sounds of instruments. Ancient Chinese people believed they would go to an afterlife when they died. So they placed miniature versions of things for everyday use in tombs for the deceased, such as these musicians, hoping that the dead could enjoy the next life like when they were alive. These grave objects gradually developed into funerary artworks and reflected the social standing of the deceased. -
Red Coral Bead Necklace
20th century A.D.Sold for (Inc. bp): £39
Composed of graduated pieces of freeform coral, dyed to vibrant red colour; restrung and with a braided string to the upper part. 157 grams, 62 cm
From the family collection of a Hampstead gentleman; formerly acquired in the 1980s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Hoi An Cargo Shipwreck Glazed Blue and White Dish Trio
15th century A.D.Sold for (Inc. bp): £104
Comprising three shallow dishes with rolled rims, two with painted petal decoration. 448 grams total, 93-96 mm
Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
