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LOT 1477
Chinese Stone Axehead
NEOLITHIC PERIOD, 3000-2000 B.C.
6 5/8 in. (1.66 kg, 16.8 cm).
Biconvex in profile and annular in plan with rounded edges to the socket.
ProvenancePrivate UK collection.
Acquired in the 1980s.
Property of a Cambridgeshire gentleman.
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AUCTIONS:
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LOT 1477
Chinese Stone Axehead
Estimate £120 - 170€140 - 200 (for guidance only)$160 - 230 (for guidance only)
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Luristan Copper Flat Axe
13th-6th century B.C.Sold for (Inc. bp): £65
Formed with a rounded butt and flared cutting edge; flat in cross-section. 113 grams, 16.9 cm
Acquired 1980-2015. Ex Abelita family collection. -
Scythian Bronze Arrowhead Collection
Circa 7th-3rd century B.C.Sold for (Inc. bp): £182
Each with a slender, lozenge-shaped blade and a socket extending near the tip, base of the socket with a side lug. 126 grams total, 35-62 mm
UK private collection before 2000. Acquired on the UK art market. Property of a London gentleman.
In the Greek warfare archery mainly employed Scythians and Cretans for the longer-ranks. Both used composite bows made of wood, horn, bone and sinew. This explains the great range of Scythian arrowheads also found on the Greek sites. -
Byzantine Iron Horse Bit
14th-15th century A.D.Estimate: £120 - 170 (+bp*)
Opening Bid: £67
Composed of arched openwork shanks with looped terminals; one end fitted with large hoops and bar between; one end with a tripartite mouthpiece comprising two collared bars connected by a central hoop; Byzantine or early Ottoman. 340 grams, 19.5 cm
Fine condition.
Collection of Dr. Hanns-Ulrich Haedeke (1928-2017), author of ‘Schmuck Aus Drei Jahrtausenden’ and who became the director of the Museum of Klingenmuseum in Solingen, Germany, in 1968; the collection was formed in the early 1960s. From an important private Dutch collection.
This type of horse bit is visible on one of the most important equestrian artworks of the 15th century - the Cappella dei Magi by Benozzo Gozzoli, a painting representing the Three Kings visiting Christ, depicted in costumes belonging to the early quarter of the 15th century. All the cavalrymen in the artwork had heavy curb-bits (with short and curved shanks, as in our specimen) and heavy, single reins.
