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LOT 1963
Chinese Qing Glazed Terracotta Pair of Ladies
QING DYNASTY, 1644-1911 A.D
9 in. (906 grams total, 23 cm each).
Each hollow-formed standing erect in a floor-length robe, with carefully dressed hair, one holding a casket to her chest and the other two vessels. [2]
ProvenanceEx West Country, UK, collection, 1980-1990s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Ordos Bronze Animal Belt Mount
6th-2nd century B.C.Estimate: £100 - 140 (+bp*)
Opening Bid: £50
Formed as a ram running left with large curled horns, legs tucked beneath body; mounting lug with discoid head to reverse. 29 grams, 43 mm
Acquired 1980-2015. Ex Abelita family collection. -
Chinese Ming Blue and White Jar with Peonies
Late Ming Dynasty, 1368-1644 A.D.Sold for (Inc. bp): £143
Squat in profile with low foot and neck, horizontal bands of dark blue floral motifs on a pale blue field. 1.29 kg, 26.5 cm high
From an important collection of terracotta pre 1988, London and Geneva. -
South East Asian Bronze Tiered Oil Lamp with Finial
Circa 13th century A.D.Sold for (Inc. bp): £39
With tiered lotus-flower base and balustered stem, a plain cup with raised rims to the centre of the stem, tiered finial with conical top, facetted conical knop above; the base with remains of lead and iron filling. 302 grams, 15.5 cm
Acquired from various sources within the UK. Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985.
Our specimen is probably a votive temple lamp. From the beginning, temples were centres of inspiration for the production of lamps in a variety of designs. Temple lamps played an important role in temple rituals. Rich people used to give donations of both money and land to craftsmen, who could then devote much of their time to producing such pieces of art.