Chinese Qing Glazed Terracotta Horse and Groom

Modelled on a rectangular base, the horse standing in harness and with a long saddlecloth; the rider modelled seated in the saddle, arms held before the body, holding cymbals. 1.65 kg, 30.5 cm high



Ex North Yorkshire, UK, collection, 1990s.

The finest of ceramic figures during the Ming Dynasty have a simplicity and compactness of modelling that makes them extremely impressive. Far greater freedom of movement was possible in ceramic sculpture, which now lent an air of gaiety and splendour already glittering with yellow, blue, and green tiles. Boldly conceived figures of men and horses in green-and-brown-glazed terracotta (liu-li) are splendid examples of the confident manner in which Ming craftsmen revived and transformed the style of the Tang Dynasty. These attendants on horseback are excellent examples of Ming Dynasty tomb pottery. The glazed sculptures were placed in burial chambers in order to flaunt social status, wealth, and power.

Standing on a tiered base with blooming flowers in her left hand, her right hand raised in a gesture of reassurance. 369 grams, 14.7 cm



Ex Cotswold collection, UK, 1990s.

Gui with three splayed tapering legs, conical spout with strainer above, applied 'ropework' strap handle and band to the equator. 475 grams, 18 cm high



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.