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LOT 2148
Chinese Ming Green Glazed Figure
MING DYNASTY, 1368-1644 A.D. OR LATER
16 1/4 in. (1.64 kg, 41.5 cm).
Standing erect on a hexagonal socle base, wearing a floor-length robe and conical cap, the arms held before the body inside the sleeves supporting a scribe's brush-box.
ProvenanceEx West Country, UK, collection, 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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AUCTIONS:
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LOT 2148
Chinese Ming Green Glazed Figure
Estimate £180 - 240€210 - 280 (for guidance only)$240 - 320 (for guidance only)
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South East Asian Terracotta Mask
4th-3rd century B.C. or laterSold for (Inc. bp): £39
Slightly curved trapezoid shape with scooped panel and two eye-holes, incised stylised facial details; pierced at the outer edges for attachment. 155 grams, 14 cm
Acquired on the Asian art market before 2000. Ex property of a UK gallery. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Chinese Blue and White Export Ware Plate
Kangxi Period, 1622-1722 A.D.Sold for (Inc. bp): £143
Shallow plate with densely painted decoration of flowers, vegetation and geometric motifs, underside with three tendrils and a character to the base. 327 grams, 21 cm wide
Property of a North London, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Chinese Ming Green-Glazed Musician with Drum
Ming Dynasty, 1368-1644 A.D. or laterSold for (Inc. bp): £46
Modelled standing on a tiered base; wearing a tall hat, a floor-length robe and boots; arms held in front of his body above a drum strapped to his waist; green and brown glaze. 494 grams, 24 cm
Ex H.N. collection, Milton Keynes, UK, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
China provides some of the earliest traces of music making. These are mainly in the form of well-preserved musical instruments, the tangible evidence of music. Over several millennia, musical instruments from regional indigenous traditions as well as from India and Central and West Asia were assimilated into the mainstream of Chinese music. Some of the most ancient instruments have been retained, transformed, or revived throughout the ages and many are in common use even today, testifying to a living legacy of a durable art. This legacy is frequently celebrated in the visual arts of China, documenting rituals and celebrations, or as status symbols of those whose lives were enhanced by the resonate sounds of instruments. Ancient Chinese people believed they would go to an afterlife when they died. So they placed miniature versions of things for everyday use in tombs for the deceased, such as these musicians, hoping that the dead could enjoy the next life like when they were alive. These grave objects gradually developed into funerary artworks and reflected the social standing of the deceased.
