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LOT 2071
Chinese Ming Glazed Pot
MING DYNASTY, 1368-1644 A.D.
4 1/8 in. (308 grams, 10.5 cm wide).
A drum-shaped glazed whiteware pot with bands of green detailing to the shoulder; repaired. [No Reserve]
ProvenanceUK gallery, early 2000s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Large Chinese Wei Terracotta Soldier with Shield
Northern Wei Dynasty, 386-534 A.D. or laterSold for (Inc. bp): £598
Hollow-formed, modelled in the round, warrior wearing lamellar armour to chest, back and upper arms, helmet with side-flaps, padded skirt and broad leggings; left hand resting on a long hexagonal shield with midrib, right hand modelled open to accept a spear of shafted weapon. 1.4 kg, 31 cm high
From a West Country, UK, collection, formed in the 1990s. -
Chinese Mottled Green Jade Bowl
20th century A.D.Estimate: £100 - 140 (+bp*)
Opening Bid: £50
Polished with bell-shaped body, everted rim and shallow foot. 122 grams, 12.4 cm
Ex Hong Kong collection, 1980s. -
Chinese Gilt Copper Crouching Camel
Song Dynasty, 960-1279 A.D. or earlierEstimate: £2,000 - 3,000 (+bp*)
Opening Bid: £1,000
Modelled in the round with a double hump, neck gracefully resting against the back, and legs folded beneath the body. 164 grams, 56 mm
Acquired in the 1960s. From the collection of Mr Jay Gluck (1927-2000) & Mrs Sumi Hiramoto Gluck. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12063-214191.
Camel-shaped water droppers would have been perfect not only for dispensing water onto the inkstone, but also because the humps could form as a brush rest too. The form of our artefact showcases the rapid cultural interaction and integration between China and Central Asia during the early dynasties of China. By the Tang Dynasty, China was one of the most cosmopolitan empires on earth with traders and missionaries from across Asia, Europe and Africa in the capital Chang'an. Depictions of two-humped Bactrian camels in pottery symbolised wealth, trade and international networks. The famous calligrapher and painter Qi Gong (1912-2005) owned a similar gilt-bronze camel paperweight, who according to his records purchased it in an antique shop in Japan. Qi Gong even renamed his studio 'The Little Bronze Camel Studio' (xiao tong luo guan’).
