Chinese Archaic Style Bronze Vessel

Representing Saint Antipas with a Gospel in his left hand and making the gesture of blessing with his right, dressed as a bishop, with sticharion, covered by omophorion, and surmounted by an epitrachelion; the Mandylion at the centre above the saint, Saint Mary on the left panel and Jesus on the right; Old Slavic inscription around the figures: 'ΙC ΧΡ' (Jesus Christ); 'ΜΡ ϴΥ'(Mother of God); Saint Antipas of Pergamum (Св Анти́па Перга́мский). 238 grams, 11.3 cm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The icon features meticulous craftsmanship typical of Orthodox iconography. Saint Antipas was popularly held to be a healer of tooth problems. He was martyred by burning in a brazen bull-shaped altar under the Emperors Nero or Domitian.

With blue champlevé enamel, depicting Saint John the Baptist, portrayed as an elderly man, wearing a camel-skin robe; his left hand holding a scroll with the prophecy of Isaiah, while the right hand is raised in blessing gesture; at the top, Old Slavic Inscription ‘Saint John the Precursor’ (Иоа́нн Предте́ча); pseudo-vegetal background with abstract decorations. 190 grams, 11.8 cm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

John the Baptist is called ‘the Precursor’ because his evangelical mission was to prepare the way for Jesus Christ, announcing his imminent arrival and calling people to repentance and welcome the Messiah. His role as a ‘forerunner prophet’ makes him the link between the Old and New Testaments, as he prophesied the coming of Christ and baptised him in the Jordan River. He was considered the highest among the prophets in the hierarchy of saints of the Orthodox Church.

Representing the Vladimir Mother of God with the Divine Child; the half-length figure Mary with covered head turned right and with her left hand raised; holding the embracing infant Jesus in her right hand; above them inscription in Greek letters 'ΜΡ ΘΥ' (Mother of God); flanking the central icon and beneath it the images of the Saints Peter, Paul, Peter of Moscow and John Chrysostomos, Saint Gregory and Saint Dimitri; in the foreground the city of Vladimir. 96 grams, 60 mm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The original icon prototype of these smaller icons was the icon of the Virgin Mother of Vladimir with the infant Jesus (the original preserved in the Tretyakov Gallery, Moscow), probably the most famous icon of Russia, which was thought to have been created in Constantinople in the early part of 1100s. This image is sometimes referred to as the ‘tenderness icon’, with artists attempting to show the close relationship of mother and son with their cheeks touching as they embrace.