Chalcolithic Terracotta Female Fertility Figure

Carved in the round; semi-naturalistic anatomic and facial detailing, hair gathered loosely at the neck and tied with a taenia knotted at the nape of the neck; mounted on a custom-made display base. 879 grams total, 18 cm high including stand



Ex old European private property, by inheritance to the previous owner. Ex Schuler Auktionen, Zürich, 10 December 2020, no.1211. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11817-206512.

The small statuette to which the head belonged was probably that of a naked youth, the so-called kouros, typical of archaic Greek sculpture from the 7th century B.C. onwards.

Discoid body with raised rim; ribbed column-like handle with a kneeling stag above, supporting the mirror with its large antlers. 570 grams, 31.5 cm



Mr M.B., Mainz, Germany, since the 1960s. Acquired from the above, 2007. Private collection, London. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12182-221464.

Bronze mirrors of this type with zoomorphic handles, were widespread in the Scythian archaeology of the Northern Black Sea Region, Northern Caucasus and Carpathian Basin. Handles were often decorated with sculptured depictions of rams, feline predators or deer (stag). The similarity with Scythian art is clearly visible by comparing the stag of our mirror with the stags from the Scythian steppe culture (Loehr, 1955, figs.5,6,10,13-21).

Comprising a pedestal base, mastoid body, lateral strap handles and funicular neck, broad mouth with stepped rim; the neck and rim decorated with a band of egg-and-dart; both faces of the body decorated with a figural scene with a standing male on the left with close-fitting cap, long cloak or mantle reaching from shoulder to knee and clasped at his right shoulder with a disc brooch, holding in his left hand a key-shaped object; to his right, a chest-high structure with palmette at the top, waisted shaft and arcaded base; to the right, a female standing facing the male, wearing a crested helmet or headdress, peplos dress gathered at her waist and extending to the floor, holding in her right hand a diadem or wreath towards the male; palmettes below the handles, the base with red and black banding; the strap handles undecorated; likely Campanian workmanship. 969 grams, 25.2 cm



Acquired in Münich in 2012. European private collection Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12190-222344.

During the late 5th century B.C., Attic imports ceased as the Spartans blockaded trade routes during the Peloponnesian War (431-404 B.C.). In response, five areas in southern Italy, Campania, Paestum, Apulia, Lucania, and Sicily began to produce red-figure vases. The decoration offered a remarkable range of subjects associated not only with mythological images, but with representations the local life, costumes and customs. The simple, single figure compositions decorating each side of this vase were also characteristic of the style, which tended to avoid complex mythological scenes often found on much larger vessels like volute craters, favouring representation of the daily life of south Italic Hellenised peoples.