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LOT 1274
Chalcolithic Seated Terracotta Figure
3RD MILLENNIUM B.C.
5 1/8 in. (128 grams, 13 cm high).
Modelled in the round seated figure with looped arms and applied collar, pinched nose.
ProvenanceEx important collection of a late gentleman, 1980s.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Western Asiatic Silver and Stone Bead Group
1st millennium B.C.Sold for (Inc. bp): £143
A restrung string composed of alternating carnelian and quartz beads interspersed with silver pomegranate-shaped beads, a large lozenge-shaped bead at the centre. 31.2 grams, 30 cm long
From the collection of a gentleman, acquired on the London art market in the 1990s. -
Western Asiatic Stone Cylinder Seal with Presentation Scene
2nd-1st millennium B.C.Sold for (Inc. bp): £520
With incuse frieze depicting a presentation scene, two profile figures in flounced robes flanking two standing figures in floor-length garments, one with leg bent and foot resting on a stool, receiving a gift of a small animal from his neighbour; fifth figure to the rear; supplied with a museum-quality impression. 12.53 grams, 23 mm
From the 'S' collection, acquired 1970-1990s. The collection was seen and studied by W.G. Lambert, late Professor of Assyriology at the University of Birmingham, 1970-1993. -
Mesopotamian Stone Frog Amulet
2nd-1st millennium B.C.Sold for (Inc. bp): £234
Modelled as a crouching frog with anatomical detailing, pierced longitudinally. 5.56 grams, 26 mm
From the collection of a gentleman, acquired on the London art market in the 1990s.
Frog amulets in ancient Egypt symbolised fertility, rebirth, and regeneration. Associated with the goddess Heqet, who was linked to childbirth and life-giving forces, these amulets were particularly popular in contexts related to fertility and protection during pregnancy and childbirth. Their connection to the annual Nile flood, which brought new life to the land, further emphasised their symbolism of renewal and abundance.
