Loading, please wait...
LOT 1033
Central Asian Bronze Stamp Seal Matrix with Standing Bird
CIRCA 500-100 B.C.
1 in. (7.9 grams, 25 mm).
Discoid with a standing bird to the centre and loop to the rear; accompanied by typed and signed note by the late W.G. Lambert, Professor of Assyriology at the University of Birmingham, 1970-1993, which states: 'Stamp Seal of Bronze 24 x 24 x 13 mm. This is a flat disc cut from sheet metal with a pierced handle from the same material fixed on the back. It is round. The design shows a standing bird in the centre, something not yet identified in front of it and above it a crescent and to the side a hatched shape. The whole design is put within a circle of intertwining band. This is a rare seal from wets central Asia, c. 500-100 B.C. It is in excellent condition.'
ProvenanceEx collection of a late London gentleman, 1990s.
Accompanied by an original typed and signed scholarly note by the late W.G. Lambert, Professor of Assyriology at the University of Birmingham, 1970-1993.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 1033
Central Asian Bronze Stamp Seal Matrix with Standing Bird
Estimate £100 - 140€120 - 160 (for guidance only)$140 - 190 (for guidance only)
-
Amlash Terracotta Vessel with Spout
1st millennium B.C.Sold for (Inc. bp): £33
Comprising a piriform body with flat base, two loop handles and a long, curving U-shaped spout extending from the rim. 415 grams, 16 cm wide
From a Mayfair gallery 1990s. Ex London, UK, collection. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Western Asiatic and Other Pottery Collection
3rd-1st millennium B.C.Sold for (Inc. bp): £52
A mixed group comprising three bulbous jars, two footed bowls and a one squat jar; fragmentary. 2.89 kg total, 13-19.5 cm
From a West Country collection, UK, 1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
.jpg)
Neo-Assyrian Stone Relief with Standing Figure
9th-8th century B.C.Estimate: £4,000 - 6,000 (‡+bp*)
Opening Bid: £1,800
Corner fragment from a high-relief pictorial panel with raised border; domed dais with low-relief scaled detailing; lower legs and sandaled feet in advancing pose with ankle-length open-fronted robe, horizontal woven texture and curled fleece; high-relief stele with flared base, bulbous upper and sugar-loaf finial; pitted surface, with tooling to reverse. 2.81 kg, 24.3 cm
Ex German collection, c.1980. with Toufic Arakji, Hamburg, 1997. Private collection, Europe. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12579-232134. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Stylistically, the figure seems to be linked to the kingdom of Ashurnasirpal II (883-859 B.C.) or his son Shalmaneser III (858-824 B.C.). The exposed lower leg with exaggerated musculature is seen in many Assyrian and Babylonian depictions of divine and heroic figures. The position of the figure, corresponding to some reliefs kept in the Louvre, where a spirit is worshipping a poppy flower (Houston, 1954, pl.V.1), and the high-relief carving strongly refer to a cult scene.
