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_900x900.jpg "Cased Post Medieval Iron Foot Patten Collection")
_200x200.jpg "Cased Post Medieval Iron Foot Patten Collection")
.jpg "Cased Post Medieval Iron Foot Patten Collection")
LOT 2172
Cased Post Medieval Iron Foot Patten Collection
17TH-19TH CENTURY A.D.
4 1/2 - 32 in. (6.05 kg total, 11.5-81 cm).
Comprising six adult- and child-sized pattens, each a ring with extended tongue fitted with rivets to secure the ring to a wooden platform; some in a glazed wooden fabric-lined display case with labels and explanatory text, one with reproduction wooden sole and leather upper showing how the patent is attached. [8, No Reserve]
ProvenanceFrom the collection of the famous author, writer and speaker, Gordon Bailey, Essex, UK; formed since 1968.
PublishedPublished in Bailey, G., Detector finds 2, Witham, 1993, pp.55-57.
LiteratureCf. Bailey, G., Detector finds 2, Witham, 1993, p.56.
FootnotesIron pattens first came into use probably in 17th century A.D., and gained popularity during the first half of that century. The original design of the patten was as one piece of shaped wood attached beneath the sole of the shoe; this evolved into to a wooden platform attached to the underside of an iron ring. The pattens were thus forerunners of the Wellington boot which came into use in the 19th century A.D.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Jadeite Pendant Necklace with 'Rubies' and Other Cabochons
Late 19th-early 20th century A.D.Sold for (Inc. bp): £208
Plaque with floral design comprising inset glass cabochons, synthetic rubies and gold-coloured wire detailing. 68 grams, pendant height: 79 mm
Property of a South West London gentleman. -
Medieval Style 'Billy and Charley' Fantasy Pendant
19th century A.D.Sold for (Inc. bp): £91
By William Smith and Charles Eaton; obverse: head with radiate crown; reverse: crowned figure with dagger and chalice. 112 grams, 10.7 cm
From the collection of the famous author, writer and speaker, Gordon Bailey, Essex, UK; formed since 1968.
"Billy and Charlies", also known as the Shadwell forgeries, refer to a very extensive series of fake antiquities made in Victorian London by William Smith (Billy) and Charles Eaton (Charley). They were mudlarks who searched the Thames for items of value. William Edwards, a London antique dealer, made Billy's acquaintance around about 1845, and he met Charley some years later. He paid them for items of interest that they found. Billy and Charley earned money from this until 1857, when they decided to counterfeit antiquities. They cast objects from lead or pewter, cutting dies into plaster of Paris moulds with nails and knives, and bathing the finished items in acid to simulate aging. Their commonest products were medallions, but others included daggers, statuettes, ampullae and even small shrines; as they were both illiterate the inscriptions on many of the objects are nonsense. They sold their forgeries to very prominent collectors of the time who thought they were genuine. Eventually, due to the large volume of objects that were appearing on the market, they were arrested and tried at court though they could not be found guilty of any crime at the time. They were released and carried on producing fakes but their style of manufacture had become well known and they eventually disappeared from history. -
Stained Glass Panel of a City Landscape
Northern France, probably Champagne, circa 1520-1530 A.D.Sold for (Inc. bp): £910
Irregular panel depicting a section of fortified town wall with gate, towers and loopholes, church and other buildings; lowering clouds above; framed with lead cames with two suspension loops. 223 grams, 22 cm wide
with De Baecque Vente Aux Enchere, 5 March 2022, no.52.
