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LOT 1903
Carnelian Gemstone with Camel
19TH-20TH CENTURY A.D.
3/4 in. (1.46 grams, 18 mm).
Discoid carnelian insert with reserved image of a camel, asterisk and pseudo-text above; after the antique. [No Reserve]
ProvenanceAcquired on the London, UK, antiques market.
From the personal collection of a West London, UK, gentleman.
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AUCTIONS:
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Ethiopian Wooden Icon with Paintings of Saints
Mid 17th century A.D.Sold for (Inc. bp): £975
Carved portable icon with integral loop, frontal and rear recesses each with a door hinged with thread; painted scenes within of the Crucifixion and the meeting of Saint Abune Tekle Haimanot and Gabra Manfas Keddus (?), St. George attacking a dragon, Mary and Infant Jesus with angels Gabriel and Michael. 91 grams, 10 cm high
Reece Gallery, c. 2010. Ex central London gallery.
A series of icons representing the Virgin of Santa Maria Maggiore were produced in Ethiopia in the 16th and 17th centuries; the icon offered here is one such example. Sitting on the left arm of his mother, Christ gives a blessing with his right hand and holds a book in his left hand, both details showing a close relationship with the Santa Maria Maggiore version. -
Post Medieval Bronze Artefact Collection
1500-1700 A.D.Sold for (Inc. bp): £20
Including crotal bells, belt mounts and other items. 110 grams total, 29-68 mm
Found North Yorkshire, UK. Accompanied by a copy of the British Museum's Portable Antiquities Scheme (PAS) report no.SWYOR-DB4371. -
Large Russian Virgin of Vladimir Icon
Circa 1860 A.D.Estimate: £5,000 - 7,000 (+bp*)
Opening Bid: £2,500
Depicting nimbate Mary Theotokos with veiled head and wearing a maphorion mantle over a dark blue robe with gold cuffs, inclined towards the infant Jesus supported by her right hand, his left arm wrapped around her neck and the right hand resting on her chest; gilt field and border with colourful enamelled detailing to the corners, roundels and rectangles with monograms and titling, on each side of her head 'ΜΡ ΘΥ' (Μήτηρ (τοῦ) Θεοῦ = Mother of God), over her left shoulder Cyrillic inscription 'Влади́мирская Б.М.' (Vladimir Mother of God), over the child inscription in Greek letters 'ΙϹ ΧϹ' (ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ = Jesus Christ), three letters (only two visible) inside the nimbus of Christ representing the continuous divine self-existence of Christ as God ('O ѾN' = The Only One who always exists); Moscow School. 6.5 kg, 56.5 x 46 cm
Fine condition.
Ex property of a London lady, part of her family's collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate no. 11543-196361.
This splendid specimen was probably originally housed in an aristocratic Russian home. The icon of the Virgin Mother of Vladimir with the infant Jesus (the original preserved in the Tretyakov Gallery, Moscow), probably the most famous icon of all of Russia, was thought to have been created in Constantinople in the early part of 1100s. This image is sometimes referred to as the ‘tenderness icon’, with artists attempting to show the close relationship of mother and son with their cheeks touching as they embrace.
