Byzantine Stone Jewellery Mould

Flat-section hoop displaying geometric pierced work between raised bands, fluted hemispherical bezel adorned with granules and set with possibly a later polished cabochon sapphire. 8.66 grams, 33.78 mm overall, 16.94 mm internal diameter (approximate size British M 1/2, USA 6 1/4, Europe 13.09, Japan 13)



Acquired 1990s-early 2000s. East Anglian private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.201084.

A mixed group of silver-gilt liturgical items comprising: a hanging lamp with flared foot, carinated segmented body, flared neck with band of repoussé quatrefoils and florets, rolled rim, three suspension chains with loops and hook; a hollow piriform finial, possibly from a throne or a standard finial, with ropework collar and vertical tendril bands with pellets alternating with plain segments; a two-part vestment clasp set, each half formed as a parcel-gilt scallop shell with flared rim and pierced trapezoidal plaque, hook-and-eye hinge. 201 grams total, 90-110mm

Very fine condition.

Property of a Surrey gentleman; formerly from the private collection of a Canadian gentleman; from his father's collection formed 1965-1990; accompanied by an archaeological report by Dr. Raffaele D’Amato, Art Loss Register certificate numbers S001261511, S001261512 & S001261513, dated 5 September 2017 and a copy of a photograph taken prior to professional cleaning; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no. 10373-167792.

Hanging lamps, of different dimensions, were used to create the spiritual atmosphere surrounding the Divine Liturgy. Light was important not only from a practical point of view but also symbolically. The parcel gilt flask, if not the finial of a throne, episcopal chair or church labarum (standard), could be a miniature version of a large ceramic oil or wine container with a pointed base for setting them in sand at the cargo hold of a ship, and was probably used as a small flask for myrrh, the liturgical oil. The ornamented wreath border between shoulder and neck of the finial is a typical Byzantine decoration in the workshops active in the Imperial capital of Constantinople, as attested on a vase in the same ornament and style preserved in the Louvre collections (RGZM, 2010, p.173).

Comprising: a flat-section cross with annulets; an enkolpion plate; a cross with conical arms, raised cross to the centre. 12.1 grams total, 27-38 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman.