Byzantine Silver Inlaid Bronze Trade Weight Group

Bifacial lead plaque with figurative decoration: obverse with Saint George, nimbate, on his horse killing a fallen foe with his spear; 'ΓΕΟΡΓ' label above the horse's neck, raised border with pellets and pellet clusters; reverse with relief pattern of a double circle decorated with double arcs forming a cross pellet to the centre. 48.8 grams, 64 mm



Private collection Mr S.A., Switzerland, before 1992, thence by descent.

According to the Christian tradition, Saint George would have lived between the end of the 3rd century and the beginning of the 4th century: born into a noble Christian family, he became an officer in the Roman army and was then named a prefect by Diocletian. But when the same emperor decided to resume the persecutions, Saint George became a victim despite his important political rank. His role in the development of the faith is so important that he is included among the Great Martyrs of the Eastern Church and his fight against the dragon becomes a symbol par excellence of the fight for Good which defeats Evil. In the Christian symbolism of the Middle Ages, the circle, a perfect geometric shape which has neither beginning nor end, designates the universe whose centre is the source and thus evokes Jesus, the man-light.

Piriform body with lateral ribs and impressed ornament to the upper body, domed filler-hole, intended to be filled with explosive liquid and wick, used as a hand grenade. 132 grams, 79 mm



From a specialist collection of militaria, London, UK, collected 1990s onwards. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.

Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.

Tongue-shaped with an applied openwork panel, cross-in-wheel motif within a segmented border and zoomorphic detailing; loops to the broad end and knop finial to the rounded end. 21.2 grams, 57 mm



Acquired 1980-2015. Ex Abelita family collection.

Within the category of these buckles to which the current example belongs to, the plate was decorated with an openwork pattern which was rivetted onto a cover plate. The central decoration varied between purely vegetal depictions, mostly vines, and allegorical animal scenes, which J. Werner interpreted as a pictorial implementation of the animal symbolism of Physiologus.