Byzantine Silver-Gilt Ring with Saint

Finial from a processional or altar cross, with incised guilloche bands to the obverse and central socket for a cabochon, lobes to the angles; pierced lower arm with attachment scars to both faces. 56.4 grams, 98 mm



Belgium collection, 1980s. From the collection of an London antiquarian.

These kind of crosses were mainly used for religious purposes. However, in 6th and 7th centuries A.D., they could be fixed at the top of the standards of the Roman Christian Army, as clearly described from the Arab sources speaking about the battle of Yarmouk. For this battle the Arab sources give a detailed description of the Roman standards, with at the top a golden cross, a golden cross tied to a silver chain, a cross with glittering jewels, a golden cross encrusted with jewels. The cross at the top of the standards, also of small dimensions like this one, is visible on miniature statuette of Roman Cavalrymen/Military Saints from Roman Egypt.

Sub-rectangular in form with raised rectangular panel to centre, cells forming X-motif inlaid with red glass(?) against a blue field, central nacre(?) roundel engraved with a perched bird with polychrome enamelled detailing; trace remains of gilding to upper and side edges; piercing to each corner. 20.6 grams, 38 mm



Acquired in London, early 1980s. Purchased in Europe before 1992. Private collection, Europe. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11811-206495.

The small square plaque was possibly part of the decoration of an Evangeliary, such as the enamels covering the binding of Henry II's Perikopenbuch, or the Siena Evangeliary (11th-13th century). Byzantium brought the enamel and cloisonné technique to its most perfect, refined and skilful expression. Between the 10th and 11th centuries it spreads its forms in the East and West and after some infiltration in the Romanesque-Lombard sphere, precious Eastern Roman cloisonnes were found in Russian art, reaching their apex in the Roman Empire during the 10th-12th centuries, in the decoration of icons and other artworks.

Capsule pendant with domed ends and openwork filigree band between, ribbed suspension tube. 0.73 grams, 14 mm



From a late Japanese specialist collector, 1970-2000s.