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_900x900.jpg "Byzantine Silver-Gilt Priest's Altar Group")
_200x200.jpg "Byzantine Silver-Gilt Priest's Altar Group")
.jpg "Byzantine Silver-Gilt Priest's Altar Group")
LOT 3857
Byzantine Silver-Gilt Priest's Altar Group
6TH-7TH CENTURY AD
3 1/2 - 4 1/4" (201 grams total, 90-110mm).
A mixed group of silver-gilt liturgical items comprising: a hanging lamp with flared foot, carinated segmented body, flared neck with band of repoussé quatrefoils and florets, rolled rim, three suspension chains with loops and hook; a hollow piriform finial, possibly from a throne or a standard finial, with ropework collar and vertical tendril bands with pellets alternating with plain segments; a two-part vestment clasp set, each half formed as a parcel-gilt scallop shell with flared rim and pierced trapezoidal plaque, hook-and-eye hinge.
ProvenanceProperty of a Surrey gentleman; formerly from the private collection of a Canadian gentleman; from his father's collection formed 1965-1990; accompanied by an archaeological report by Dr. Raffaele D’Amato, Art Loss Register certificate numbers S001261511, S001261512 & S001261513, dated 5 September 2017 and a copy of a photograph taken prior to professional cleaning; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no. 10373-167792.
LiteratureCf. Spier, J., Treasures of the Ferrell Collection, Wiesbaden, 2010, p.278, item 198, for the companion piece to the hanging lamp; ibid item 213 (finial) and 214 (clasps); accompanied by copies of the relevant book pages; a similar finial, with a suggested origin from Constantinople, was in the collection of the Haddad Brothers, and exhibited at the Frieze Masters Collection in 2017; see also for comparison the artistic elements RGZM, Byzanz, Pracht und Alltag, Mainz, 2010.
FootnotesHanging lamps, of different dimensions, were used to create the spiritual atmosphere surrounding the Divine Liturgy. Light was important not only from a practical point of view but also symbolically. The parcel gilt flask, if not the finial of a throne, episcopal chair or church labarum (standard), could be a miniature version of a large ceramic oil or wine container with a pointed base for setting them in sand at the cargo hold of a ship, and was probably used as a small flask for myrrh, the liturgical oil. The ornamented wreath border between shoulder and neck of the finial is a typical Byzantine decoration in the workshops active in the Imperial capital of Constantinople, as attested on a vase in the same ornament and style preserved in the Louvre collections (RGZM, 2010, p.173).
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
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Byzantine Period Child's Glass Bangle
Circa 6th-10th century A.D.Sold for (Inc. bp): £91
Annular black glass shank with marvered panels of blue and red glass. 10.1 grams, 45 mm
UK private collection before 2000. Acquired on the UK art market. Property of a London gentleman. -
Byzantine 'Greek Fire' Ceramic Fire Bomb or Hand Grenade
9th-11th century A.D.Sold for (Inc. bp): £169
Piriform body with domed filler-hole surrounded with impressed petals, band of ring-and-dot motifs to the shoulder; intended to be filled with explosive liquid and wick, used as a hand grenade. 417 grams, 98 mm
From a specialist collection of militaria, London, UK, collected 1990s onwards. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.
Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form. -
Byzantine Bronze Plaque with Bird Inlay
Circa 10th-11th century A.D.Estimate: £2,000 - 3,000 (‡+bp*)
Opening Bid: £1,000
Sub-rectangular in form with raised rectangular panel to centre, cells forming X-motif inlaid with red glass(?) against a blue field, central nacre(?) roundel engraved with a perched bird with polychrome enamelled detailing; trace remains of gilding to upper and side edges; piercing to each corner. 20.6 grams, 38 mm
Acquired in London, early 1980s. Purchased in Europe before 1992. Private collection, Europe. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11811-206495.
The small square plaque was possibly part of the decoration of an Evangeliary, such as the enamels covering the binding of Henry II's Perikopenbuch, or the Siena Evangeliary (11th-13th century). Byzantium brought the enamel and cloisonné technique to its most perfect, refined and skilful expression. Between the 10th and 11th centuries it spreads its forms in the East and West and after some infiltration in the Romanesque-Lombard sphere, precious Eastern Roman cloisonnes were found in Russian art, reaching their apex in the Roman Empire during the 10th-12th centuries, in the decoration of icons and other artworks.
