Byzantine Lead Pilgrim's Ampulla

Comprising: buckle loop with dentilled outer edge, impressed triangular cells; D-section tongue curved over the forward edge of the loop, with rectangular shield to the rear with slot; plate formed as a vesica-shaped rear panel with rosette motif and billetted border, forward edge with cells flanking; knop finial to rear edge; obverse with three pierced lugs for attachment to the belt; ferrous hinge-pin. 56 grams, 80 mm



Private UK collection. Acquired in the 1980s. Property of a Cambridgeshire gentleman.

An imposing panel divided to four sections by a central cross on a stepped pedestal, the lower and upper arm with branch-like extensions; the upper quadrants with a circlet surrounding a palm tree-shaped motif; each lower quadrant with a bird in profile facing back; mounted on a custom-made display stand. 16 kg total, 44.5 cm including stand



Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12179-221676.

The cross, symbol of resurrection and salvation, carried the meaning of Paradise, and a cross on a stepped base derived from that on Golgotha. The birds represented here are probably a symbol of joy of the afterlife, of paradise conceived as the locus refrigerii or refrigerium of the soul. The panel could have been part of a marble iconostasis of a Church of the Eastern Roman Empire, in Southern Italy, although the use of porphyry can suggest a Constantinopolitan provenance.

Of squat profile with flared base and drop handle; running tendril bands to the shoulder and base, gilt-inlaid frieze depicting the seated robed figure of Christ holding a staff between two palm trees in a landscape inhabited by a bear, leaping goat, frog, cockerel, hen, eagle, horse, hounds, sheep, lioness, snake, rabbit, duck, boar cow; trees in the background with birds perching on the branches; central roundel with Chi Rho, alpha and omega; handle with vine tendrils flanked by pellet clusters, saltire to the centre. 1.02 kg, 23 cm wide



From the family collection of Mr E.L. (1915-1991), who collected antiquities from the 1940s, thence by descent. Ex J.L. collection, Surrey, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12059-213551.

The frieze is full of Christian symbolism, mainly concentrated on the image of the good shepherd (Christ) depicted according to the model visible in the Mausoleum of Galla Placidia in Ravenna and shown on the opposite side of the central roundel. Jesus is represented in a landscape suffused with peace, full of plants and flowers; he has a serene expression and is depicted beardless and surrounded by six sheep. Its clear allusive meaning is that only through Christ can eternal peace be achieved. Another part probably represents the Tree of Life with an array of animals. The vessel probably had a liturgical use, perhaps for the ritual washing of feet during the Easter celebrations or for the blessing of the faithful.