Byzantine Iron Spathion Sword

Comprising a broad blade tapering to an armour-piercing point, the steel side bars and balustered grips decorated with copper Koftgari work flowers and scrolls. 488 grams, 48 cm

General condition very good.

Property of a London gallery.

Unique to South Asia, the quatar or katar was a dagger that held at the crossbars with a clenched fist. The weapon was meant to be thrust into the opponent or prey from a close range. Rajput and Mughal royalty used this weapon to hunt tigers and even crocodiles to demonstrate their bravery and martial skill.

Couronian sword of Petersen Type K with double-edged tapering blade and tapering fullers; bronze cross-guard extending at each end to serpent- or horse-heads, wheeled ornament to both faces; the lower guard with similar motifs; seven-lobed pommel with annulets and pellets. 1.02 kg, 86.5 cm



From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11925-209658.

Couronian swords of this type, with animal-head decoration on the lower guard, were widespread and used in the Eastern Baltic lands from the 10th to 13th century. Such zoomorphic detailing was a clear influence from Germanic art. Regular geometric ornamentation, derived from Romanesque art, was also widespread, with one of the most common ornaments being a cross-in-circle.

Comprising a globular flail head with large suspension loop above and sixteen spiked projections to the sides. 829 grams, 89 mm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

The medieval flail was a weapon mainly used in Eastern Europe, probably created among the Steppe people and used by the Mongols, adopted by the Slavic people under the name of kisten. Such a weapon probably saw little use in Western Europe, where it is first represented in the 14th century in a fresco depicting the battle of Nineveh painted by Piero della Francesca, as a chain with three maceheads. In the poem Le Chevalier Délibéré written by Olivier de la Marche and published in 1486, there is an engraving representing a knight carrying a rather simple morning star with asymmetrically mounted quills and a single-ball flail of quills. It is thought that in the Middle Ages the nailed mace in general was used to break through and dismantle the armour of enemies who were then 'finished' with swords or daggers.