Loading, please wait...
Details
LOT 1478
Byzantine 'Greek Fire' Ceramic Fire Bomb or Hand Grenade
9TH-11TH CENTURY A.D.
4 1/8 in. (434 grams, 10.4 cm).
Piriform body with domed filler-hole, radiating petals surrounding the filler-hole, annulets and a zig-zag line beneath; intended to be filled with explosive liquid and wick, used as a hand grenade. [No Reserve]
Provenance
From a specialist collection of militaria, London, UK, collected 1990s onwards.
Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.
Literature
Cf. Arendt, W. I., Granaten des 13-14. Jahrhunderts, die an der Wolga gefunden sind, Zeitschrift fur Historische Waffen-und Kostumkunde, 11 (1926-8), p.42; cf. Arendt, W., Die Spharisch-konischen Gefäße aus Gebranntem Ton, ibid; cf. Ayalon, D., Gunpowder and Firearms in the Mamluk Kingdom, London, 1956, p.16.
Footnotes
Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 1478
Byzantine 'Greek Fire' Ceramic Fire Bomb or Hand Grenade
Sold for (Inc. bp): £195
RELATED LOTS
-
Elamite Copper Axehead with 'Animal' Face
Late 3rd millennium B.C.Sold for (Inc. bp): £715
Plain cylindrical shaft, bulbous towards the top with an incised animal face to the rear of the shaft, the blade with a convex cutting edge. 206 grams, 78 mm
with a London, UK gallery, 1971-early 2000s.
The type belongs to the Gernez classification of collared axes, with trapezoidal blade and cylindrical sleeve. This set of fairly standardised axes is characterised by a trapezoidal blade, a cylindrical collar with a clear moulding at its base and a marked angular moulding at its top, extending onto the top of the blade. This basic model is exclusively from Susa. -
Byzantine 'Greek Fire' Ceramic Fire Bomb or Hand Grenade
9th-11th century A.D.Sold for (Inc. bp): £111
A ceramic missile, piriform in profile with band of impressed rings to the equator and larger ring-and-dot motifs beneath, domed filler-hole above, intended to be filled with explosive liquid and wick, used as a hand grenade. 829 grams, 14.6 cm
From a military inspired collection formed from the 1990s. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.
Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form. -
.jpg)
Sarmatian Bronze Belt Clasp with Hare and Hound
Circa 3rd-2nd century B.C.Sold for (Inc. bp): £59
Openwork rectangular panel with hare-and-hound motif, two lateral fixing lugs. 19.2 grams, 60 mm
Property of the vendor's grandfather, thence by family descent, circa 1985. From the private collection of a New York, USA gentleman.
Belt plaques with zoomorphic motifs illustrate not only the recognised unity of the zoomorphic art of the steppes, but also the links between the Sarmatians and the eastern nomadic groups. Important in this respect are similar buckles with representations of camels (Krasnogorovka III, Kurgan 11) or Ordos-style bronze plaques from the Kuban.
