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LOT 1405
Byzantine 'Greek Fire' Ceramic Fire Bomb or Hand Grenade
9TH-11TH CENTURY A.D.
5 in. (580 grams, 12.5 cm).
Piriform body with domed filler-hole; intended to be filled with explosive liquid and wick, used as a hand grenade. [No Reserve]
ProvenanceFrom a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.
Cf. Arendt, W. I., Granaten des 13-14. Jahrhunderts, die an der Wolga gefunden sind, Zeitschrift fur Historische Waffen-und Kostumkunde, 11 (1926-8), p.42; cf. Arendt, W., Die Spharisch-konischen Gefasse aus Gebranntem Ton, ibid; cf. Ayalon, D., Gunpowder and Firearms in the Mamluk Kingdom, London, 1956, p.16.
FootnotesApart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. Such were the γανωτα, vessels (sometimes also of bronze) used for Greek fire. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.
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LOT 1405
Byzantine 'Greek Fire' Ceramic Fire Bomb or Hand Grenade
Sold for (Inc. bp): £143
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Khandjar Type Iron Dagger
19th century A.D.Estimate: £150 - 200 (+bp*)
Opening Bid: £80
Curved with a thick double edge blade, handle composed of wood and iron, ornately decorated with lozenges, fastened by eight iron flat-headed rivets. 118 grams, 32 cm long
Fine condition.
Private family collection formed in London, mid 1980s to early 1990s.
Among the various Arab dagger groups, the one from North Africa is characterised by rather fine blades made in the Turkish-Persian style. Usually the handles (in wood, ivory and metal) feature a large rounded pommel in the guise of peacock feathers. This type is common in Morocco, Tunisia and all the way to Egypt, and is a type of Khandjar usually called Koummiya or Goummiya (a term later adopted in Spanish as Goumia, to indicate all the short Arab daggers). -
Luristan Bronze Horse Bit with Animals
Circa 11th-7th century B.C.Estimate: £1,500 - 2,000 (+bp*)
Opening Bid: £700
Comprising a pair of ram-shaped cheek-pieces with a hole through the body for the straight mouthpiece with looped terminals. 690 grams, 17.5 cm wide
From a collection formed in Paris in the 1990s.
The horse bits were transformed by Luristan people in to expressions of applied art. Metalworkers employed animal motifs, both realistic and imaginary, for their cheek-pieces. The question of whether these horse bits were for real use or only for use in a funerary context is superfluous, as signs of wear have been documented, and the goads and loops on interiors are functionally designed. The use of such horse bits is clearly documented in Assyrian reliefs of the time of Sennacherib (705-681 B.C.). -
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Viking Age Iron Sword with Seven-Lobed Pommel
Circa 11th century A.D.Sold for (Inc. bp): £4,160
Couronian sword of Petersen Type K with double-edged tapering blade and tapering fullers; bronze cross-guard extending at each end to serpent- or horse-heads, wheeled ornament to both faces; the lower guard with similar motifs; seven-lobed pommel with annulets and pellets. 1.02 kg, 86.5 cm
From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11925-209658.
Couronian swords of this type, with animal-head decoration on the lower guard, were widespread and used in the Eastern Baltic lands from the 10th to 13th century. Such zoomorphic detailing was a clear influence from Germanic art. Regular geometric ornamentation, derived from Romanesque art, was also widespread, with one of the most common ornaments being a cross-in-circle.
