Byzantine Gold Staff Finial

With a short shank and oblate pierced finial, hexafoil base; to the underside a reversed legend 'ANAL[Γ} / ΦOΔ[D]O / ***'. 12.3 grams, 19 mm



Acquired on the London, UK, art market in the 1990s. From a gentleman's private collection.

The seal was probably used for stamping bread in a church. Usually these stamps had two parts: a flat surface with inscriptions or geometric shapes, and a handle. The inscription is an enigma: the upper part can be read [Aθ]ANA[TOC] = Immortal and (if we accept the L like an inversed Γ (gamma) [A]Γ[ΙΟϹ] i.e. Saint = Saint Immortal, one of the three invocation to God (Saint God, Saint Mighty, Saint Immortal). However, the second row of letters is in Greek and Latin (φο-do) if we accept the letter D as a transliteration of the Greek letter Delta.

Fragment of a fresco panel depicting a group of young women wearing crowns, possibly depicting queens or wise virgins, three in the foreground with suggestion of others behind them; a vertical line to the left marking the border of the painting; two outer women's eyes turning towards a point high on the right, and the middle one lowering her eyes; wearing clothes richly decorated with precious stones and pearls, and crowns consisting of a band encrusted with gems and bordered with pearls, topped with points adorned with coloured stones in the style of Western European crowns. 5.08 kg, 40 x 40 cm



Acquired in the early 1980s. Ex old German private collection. From the private collection of Mr S.A., before 1992. Thence by descent. Accompanied by a copy of an Art Loss Register certificate no.PHO00064. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12115-218166.

This painting possibly comes from a representation of the Last Judgment including the representation of the crowned men and women mentioned in the Apocalypse (chapter IV, verse 4). The crowned women present the signs of adoration specific to this type of representation, their eyes turned or lowered as a sign of respect towards a point where Christ seated on a throne was painted in glory. Perhaps attributable to the Balkans in the 14th century, a region divided among the realms of Hungary, Venice, Greater Serbia and others. Another possibility is that the panel represents the five wise virgins of the parable of Matthew 25, who are crowned brides by Christ.

Flat hoop with beaded wire borders and braided filigree ornament; discoid box bezel with seed pearls on a wire to the outer edge; upper face a (modern) cloisonné enamel panel depicting Mary in orans posture. 6.37 grams, 23.84 mm overall, 18.95 mm internal diameter (approximate size British R, USA 8 1/2, Europe 18 3/4, Japan 18)



From a collection formed in Antwerp, Belgium. Acquired in France in the early 2000s. Accompanied by a copy of a previous illustrated catalogue information page.