Byzantine Gold Ring with Head of Christ Gemstone

Ovoid in profile with linear decoration; intended to be filled with explosive liquid and a wick, and used as a hand grenade. 805 grams, 13 cm



From an important specialist collection, London, UK, 1990s onwards. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.

Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.

Fragment of a figure carved in the half-round, with pleated garment, holding a book with a cross in the left hand and touching its edge with the right hand; to the reverse, a low-relief cross with knops to the angles, abbreviated legends 'IC / XC / NI / KA' for 'Jesus Christ is Victorious' in seriffed capitals in the spandrels of the cross, each with a superscript macron. 38 grams, 40 mm



New Forest, UK, collection, 1950s. Alexander Cotton collection, UK, 1970-1980s. London gallery 1990s, latterly a London gentleman's collection, 2000s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12912-244440.

This magnificent, if fragmentary, icon belongs to the most florid period of Byzantium’s renaissance, when, under the aegis of the Macedonian Dynasty, the political, military, cultural and economic power of the Roman Empire reached the last apex of its glory. The figure detailed in bloodstone here represents Christ, as is clear not only from the cross engraved on the back, but also from the garments he is wearing. It is likely that it is Christ as Pantocrator who is represented, maybe originally forming part of a more complex icon representing the Deesis. While this subject in Eastern Roman art is usually reserved for monumental decoration, it is sometimes found on smaller-scale objects as well, such as cameos and steatite icons.

Plano-convex in profile with impressed design of a nimbate figure atop a post with ladder to one side, flanked by levitating angels, all within a pelletted border. 5.82 grams, 26 mm



Ex important Christian collection, 1970s.