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_200x200.jpg "Byzantine Gold Filigree Pendant")
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LOT 0980
Byzantine Gold Filigree Pendant
12TH-14TH CENTURY A.D.
5/8 in. (0.82 grams, 15 mm).
Capsule-shaped with openwork filigree ornament to the equator, a single granule to each terminal and a coiled wire suspension loop to apex.
ProvenanceFrom a late Japanese specialist collector, 1970-2000s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Byzantine Gold Ring with Sapphire
5th-6th century A.D.Sold for (Inc. bp): £1,972
Flat-section hoop displaying geometric pierced work between raised bands, fluted hemispherical bezel adorned with granules and set with possibly a later polished cabochon sapphire. 8.66 grams, 33.78 mm overall, 16.94 mm internal diameter (approximate size British M 1/2, USA 6 1/4, Europe 13.09, Japan 13)
Acquired 1990s-early 2000s. East Anglian private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.201084. -
Byzantine Silver Magical Plaque with St. Sisinnius
6th-7th century A.D.Sold for (Inc. bp): £715
Ovoid plaque with incised amuletic ornament; obverse with nimbate horseman bearing a cross potent spearing a supine stylised female figure, Greek legend above 'oΑΓΟC CICINIC' (St. Sisinnius); reverse with advancing lion and Syrian and Greek legend relating to Μαρία η Αιγυπτία (St. Mary of Egypt). 4.13 grams, 31 mm
From the collection of a gentleman, acquired on the London art market in the 1990s.
In Byzantine folklore, St Sisinnius was the supernatural horseman and opponent of the Gelloudes, a class of female witches. -
Byzantine Bronze Plaque with Bird Inlay
Circa 10th-11th century A.D.Estimate: £2,000 - 3,000 (‡+bp*)
Opening Bid: £1,000
Sub-rectangular in form with raised rectangular panel to centre, cells forming X-motif inlaid with red glass(?) against a blue field, central nacre(?) roundel engraved with a perched bird with polychrome enamelled detailing; trace remains of gilding to upper and side edges; piercing to each corner. 20.6 grams, 38 mm
Acquired in London, early 1980s. Purchased in Europe before 1992. Private collection, Europe. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11811-206495.
The small square plaque was possibly part of the decoration of an Evangeliary, such as the enamels covering the binding of Henry II's Perikopenbuch, or the Siena Evangeliary (11th-13th century). Byzantium brought the enamel and cloisonné technique to its most perfect, refined and skilful expression. Between the 10th and 11th centuries it spreads its forms in the East and West and after some infiltration in the Romanesque-Lombard sphere, precious Eastern Roman cloisonnes were found in Russian art, reaching their apex in the Roman Empire during the 10th-12th centuries, in the decoration of icons and other artworks.
