Byzantine Gold Bead with Granular Decoration

Flat-section ring with nine round holes and attachment fittings for three substantial chains with suspension hook, forming a polycandelon chandelier with multiple candles. 1.52 kg, 68 cm hanging height



Ex Surrey, UK, collection of a gentleman, 1960-2000s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12111-217545.

In 563 AD, Paul the Silentiary visited Hagia Sophia in Constantinople and described the wondrous lighting effects, ‘Thus is everything clothed in beauty…no words are sufficient to describe the illumination in the evening: you might say that some nocturnal sun filled the majestic church with light.’ The church was lit by polycandela, an early type of candelabra that held glass oil lamps rather than candles. The lamps were either conical or shaped like round bowls with an elongated stem attached beneath. An effective and very atmospheric source of lighting, polycandela required considerable skill in casting and glasswork. Amidst the burning of incense and the chanting of prayers, the flickering light must have helped to inspire pious devotion. Contemporaries certainly attest to this feeling and among the surviving accounts, that of Arculf, Bishop of Gaul, is particularly affecting. In 670 he went on a pilgrimage to Jerusalem and visited the Church of the Ascension, ‘…to the customary light of the eight lamps…on the night of the feast of the Lord’s Ascension it is usual to add innumerable other lamps; and under the terrible and wondrous gleaming of these, pouring out copiously through the shutters of the windows, all Mount Olivet seems not alone to be illuminated, but even to be on fire, and the whole city, situated on the lower ground nearby, seems to be lit up.’

Piriform body with vertical ribs to the body, interstitial panels of impressed foliage ornament, domed filler-hole, intended to be filled with explosive liquid and wick, used as a hand grenade. 573 grams, 14 cm



From a specialist collection of militaria, London, UK, collected 1990s onwards. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.

This piece was a sort of a ceramic fire grenade, similar to the ones used by the Eastern Romans but of Turco-Mongol type. Apart from the use of manual flame-throwers, special corps of soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations, even in Burma.

Openwork finial formed as a miniature church comprising a square base with four stub feet, sidewalls each with a keyhole-shaped arch, upper storey cruciform in plan with radiating porticus ending in a tongue-shaped facade and loophole aperture; above, a tubular tower with loophole windows; flanged upper face with slot. 368 grams, 11.2 cm



Acquired in the mid 1980s-1990s. From the family collection of Mr S.A., Switzerland, thence by descent. Private collection since the late 1990s.

This object reproduces a building of three levels: it belongs to a processional pole which supported a Byzantine bronze cross, the lower end of which fitted into the slot visible on the top of the drum. This object, which remains above all a decorative element, recalls by its structure a Byzantine church with its cross-shaped plan: architectural models reproducing religious buildings were very appreciated by Byzantine craftsmen (especially in the capital Constantinople), who used these structures to produce not only the cross holders but also the reliquaries, host boxes, or censers. Originally, this construction was supported by four columns of which only the capitals and a few fragments of the shaft remain. The presentation and demonstration of a cross to the faithful could take place during different celebrations of the Christian liturgical calendar, or even during certain civil ceremonies, or taking place in a princely court.