Loading, please wait...
Details
LOT 0203
Byzantine Glazed Sgraffito-Ware Shipwreck Bowl
12TH-13TH CENTURY A.D.
8 5/8 in. (544 grams, 22 cm).
With glazed upper face and basal ring; central reserved motif of a hare within concentric rings, with signs of sea encrustations.
Provenance
Private collection of Mr S.A., Switzerland, 1990s, thence by descent.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12046-211891.
Literature
Cf. similar in the collection of the Metropolitan Museum of Art, New York, under accession no.971.147.2.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
RELATED LOTS
-
Byzantine Bronze Plaque with Bird Inlay
Circa 10th-11th century A.D.Estimate: £4,000 - 6,000 (‡+bp*)
Opening Bid: £1,111
Sub-rectangular in form with raised rectangular panel to centre, cells forming X-motif inlaid with red glass(?) against a blue field, central nacre(?) roundel engraved with a perched bird with polychrome enamelled detailing; trace remains of gilding to upper and side edges; piercing to each corner. 20.6 grams, 38 mm
Acquired in London, early 1980s. Purchased in Europe before 1992. Private collection, Europe. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11811-206495.
The small square plaque was possibly part of the decoration of an Evangeliary, such as the enamels covering the binding of Henry II's Perikopenbuch, or the Siena Evangeliary (11th-13th century). Byzantium brought the enamel and cloisonné technique to its most perfect, refined and skilful expression. Between the 10th and 11th centuries it spreads its forms in the East and West and after some infiltration in the Romanesque-Lombard sphere, precious Eastern Roman cloisonnes were found in Russian art, reaching their apex in the Roman Empire during the 10th-12th centuries, in the decoration of icons and other artworks. -
Byzantine Glazed Sgraffito-Ware Shipwreck Bowl
12th-13th century A.D.Sold for (Inc. bp): £2,340
With glazed upper face and basal ring; central reserved motif of a hare within concentric rings, with signs of sea encrustations. 544 grams, 22 cm
Private collection of Mr S.A., Switzerland, 1990s, thence by descent. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12046-211891. -
Byzantine 'Greek Fire' Ceramic Fire Bomb or Hand Grenade with Lead-alloy Filler-Hole
9th-11th century A.D.Sold for (Inc. bp): £468
Biconical body with longitudinal ribs, separate lead-alloy domed filler-hole with cover, intended to be filled with explosive liquid and wick, used as a hand grenade. 1.06 kg, 21.5 cm
Acquired 1980-2015. Ex Abelita family collection. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.
Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.