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LOT 0181
Byzantine Fresco Panel of Crowned Women
14TH CENTURY A.D.
15 3/4 x 15 3/4 in. (5.08 kg, 40 x 40 cm).
Fragment of a fresco panel depicting a group of young women wearing crowns, possibly depicting queens or wise virgins, three in the foreground with suggestion of others behind them; a vertical line to the left marking the border of the painting; two outer women's eyes turning towards a point high on the right, and the middle one lowering her eyes; wearing clothes richly decorated with precious stones and pearls, and crowns consisting of a band encrusted with gems and bordered with pearls, topped with points adorned with coloured stones in the style of Western European crowns.
ProvenanceAcquired in the early 1980s.
Ex old German private collection.
From the private collection of Mr S.A., before 1992.
Thence by descent.
Accompanied by a copy of an Art Loss Register certificate no.PHO00064.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12115-218166.
This painting possibly comes from a representation of the Last Judgment including the representation of the crowned men and women mentioned in the Apocalypse (chapter IV, verse 4). The crowned women present the signs of adoration specific to this type of representation, their eyes turned or lowered as a sign of respect towards a point where Christ seated on a throne was painted in glory. Perhaps attributable to the Balkans in the 14th century, a region divided among the realms of Hungary, Venice, Greater Serbia and others. Another possibility is that the panel represents the five wise virgins of the parable of Matthew 25, who are crowned brides by Christ.
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LOT 0181
Byzantine Fresco Panel of Crowned Women
Estimate £30,000 - 40,000€34,800 - 46,400 (for guidance only)$40,500 - 54,000 (for guidance only)
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Byzantine 'Greek Fire' Ceramic Fire Bomb or Hand Grenade
9th-11th century A.D.Sold for (Inc. bp): £91
Piriform body with scaphoid flanges to the upper body, domed filler-hole, intended to be filled with explosive liquid and wick, used as a hand grenade. 513 grams, 12.1 cm
From a specialist collection of militaria, London, UK, collected 1990s onwards. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.
Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form. -
Huge Byzantine Hanging Bronze Lobed Cross
Circa 8th-10th century A.D.Sold for (Inc. bp): £1,560
Substantial cross pattée with pierced lobes to the vertical arms, each end provided with a link and hook; lateral arms pieced to accept similar links; intended for the suspension of polycandela multiple-candle chandeliers. 1.12 kg, 55.5 cm including hook
Ex Surrey, UK, collection of a gentleman, 1960-2000s.
In 563 A.D., Paul the Silentiary visited Hagia Sophia in Constantinople and described the wondrous lighting effects, ‘Thus is everything clothed in beauty…no words are sufficient to describe the illumination in the evening: you might say that some nocturnal sun filled the majestic church with light.’ The church was lit by polycandela, an early type of candelabra that held glass oil lamps rather than candles. The lamps were either conical or shaped like round bowls with an elongated stem attached beneath. Amidst the burning of incense and the chanting of prayers, the flickering light must have helped to inspire pious devotion. Contemporaries certainly attest to this feeling and among the surviving accounts, that of Arculf, Bishop of Gaul, is particularly affecting. In 670 he went on a pilgrimage to Jerusalem and visited the Church of the Ascension, ‘…to the customary light of the eight lamps…on the night of the feast of the Lord’s Ascension it is usual to add innumerable other lamps; and under the terrible and wondrous gleaming of these, pouring out copiously through the shutters of the windows, all Mount Olivet seems not alone to be illuminated, but even to be on fire, and the whole city, situated on the lower ground nearby, seems to be lit up.’ -
Byzantine 'Psalm 91 Related' Gnostic Bronze Talisman Pendant
Circa 5th-7th century A.D.Sold for (Inc. bp): £975
Discoid in form with integral loop, obverse with low-relief images of mounted Saint Sisinnios killing the demon Gyllou (Lilith), Agnus Dei, a stork, a lion, the holy snake Chnoubis and other symbols with Greek text between; reverse with a standing nimbate angel within a panel of Greek text from Psalm 91. 17.3 grams, 73 mm
From the collection of a gentleman, acquired on the London art market in the 1990s.
The text surrounding the angel recites the verses of Psalm 90 (Heb.91) in the ‘Great Reward Prayer’ (Μεγάλο Απόδειπνο): …Ο κατοικών εν βοηθεία τού Υψίστου, εν σκέπη τού Θεού τού ουρανού αυλισθήσεται. Ερεί τώ Κυρίω, Αντιλήπτωρ μου εί, καί καταφυγή μου… = …He who dwells in the shelter of the Most High will rest in the shadow of the Almighty. I will say of the Lord, 'He is my refuge and my fortress…'
