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Byzantine Decorated Gold Belt Buckle Byzantine Decorated Gold Belt Buckle Byzantine Decorated Gold Belt Buckle Byzantine Decorated Gold Belt Buckle Byzantine Decorated Gold Belt Buckle Byzantine Decorated Gold Belt Buckle
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Details

LOT 0176

Byzantine Decorated Gold Belt Buckle

8TH CENTURY A.D.

2 1/8 in. (33.02 grams, 55 mm).

Comprising a D-shaped plate with acanthus-leaf motif in low-relief, beaded wire band above the hinge, kidney-shaped rectangular-section loop, flat tongue with spur to the upper face; three mounting studs to reverse.

Provenance

Acquired from Bernard Hern, 1970s.
From an old UK collection, 1970s-1980s.

This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12113-217070.

Literature

Cf. Schulze-Dörrlamm, M., Byzantinische Gürtelschnallen und Gürtelbeschläge im Römisch-Germanischen Zentralmuseum, Teil 2. Die Schnallen mit Scharnierbeschläg und Schnallen mit angegossenem Riemendurchzug des 7. bis 10. Jahrhunderts, Mainz, 2009, no.26, fig.4.

CONDITION
VETTING:

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AUCTIONS:

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LOT 0176

Byzantine Decorated Gold Belt Buckle

Estimate £4,000 - 6,000€4,640 - 6,960 (for guidance only)$5,400 - 8,100 (for guidance only)

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    In 563 AD, Paul the Silentiary visited Hagia Sophia in Constantinople and described the wondrous lighting effects, ‘Thus is everything clothed in beauty…no words are sufficient to describe the illumination in the evening: you might say that some nocturnal sun filled the majestic church with light.’ The church was lit by polycandela, an early type of candelabra that held glass oil lamps rather than candles. The lamps were either conical or shaped like round bowls with an elongated stem attached beneath. An effective and very atmospheric source of lighting, polycandela required considerable skill in casting and glasswork. Amidst the burning of incense and the chanting of prayers, the flickering light must have helped to inspire pious devotion. Contemporaries certainly attest to this feeling and among the surviving accounts, that of Arculf, Bishop of Gaul, is particularly affecting. In 670 he went on a pilgrimage to Jerusalem and visited the Church of the Ascension, ‘…to the customary light of the eight lamps…on the night of the feast of the Lord’s Ascension it is usual to add innumerable other lamps; and under the terrible and wondrous gleaming of these, pouring out copiously through the shutters of the windows, all Mount Olivet seems not alone to be illuminated, but even to be on fire, and the whole city, situated on the lower ground nearby, seems to be lit up.’

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