Byzantine Decorated Gold Belt Buckle

Bifacial lead plaque with figurative decoration: obverse with Saint George, nimbate, on his horse killing a fallen foe with his spear; 'ΓΕΟΡΓ' label above the horse's neck, raised border with pellets and pellet clusters; reverse with relief pattern of a double circle decorated with double arcs forming a cross pellet to the centre. 48.8 grams, 64 mm



Private collection Mr S.A., Switzerland, before 1992, thence by descent.

According to the Christian tradition, Saint George would have lived between the end of the 3rd century and the beginning of the 4th century: born into a noble Christian family, he became an officer in the Roman army and was then named a prefect by Diocletian. But when the same emperor decided to resume the persecutions, Saint George became a victim despite his important political rank. His role in the development of the faith is so important that he is included among the Great Martyrs of the Eastern Church and his fight against the dragon becomes a symbol par excellence of the fight for Good which defeats Evil. In the Christian symbolism of the Middle Ages, the circle, a perfect geometric shape which has neither beginning nor end, designates the universe whose centre is the source and thus evokes Jesus, the man-light.

Fragment of a fresco panel depicting a group of young women wearing crowns, possibly depicting queens or wise virgins, three in the foreground with suggestion of others behind them; a vertical line to the left marking the border of the painting; two outer women's eyes turning towards a point high on the right, and the middle one lowering her eyes; wearing clothes richly decorated with precious stones and pearls, and crowns consisting of a band encrusted with gems and bordered with pearls, topped with points adorned with coloured stones in the style of Western European crowns. 5.08 kg, 40 x 40 cm



Acquired in the early 1980s. Ex old German private collection. From the private collection of Mr S.A., before 1992. Thence by descent. Accompanied by a copy of an Art Loss Register certificate no.PHO00064. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12115-218166.

This painting possibly comes from a representation of the Last Judgment including the representation of the crowned men and women mentioned in the Apocalypse (chapter IV, verse 4). The crowned women present the signs of adoration specific to this type of representation, their eyes turned or lowered as a sign of respect towards a point where Christ seated on a throne was painted in glory. Perhaps attributable to the Balkans in the 14th century, a region divided among the realms of Hungary, Venice, Greater Serbia and others. Another possibility is that the panel represents the five wise virgins of the parable of Matthew 25, who are crowned brides by Christ.

Comprising: a cross buckle with pin; the upper plate of a small enkolpion with a praying Virgin or Saint; two orthodox pectoral crosses, both with inscription 'IC' (Iesus) 'XC' (Christos ) 'NIKA' (Christ is victorious); the smallest cross with invocation-prayer engraved on the back. 51.8 grams total, 36-73 mm



Acquired on the UK art market. Property of a Ruislip, UK, gentleman, by inheritance.

The fragment of the simpler Maltese cross mount corresponds to the type E2 of Schulze-Dörrlamm, here with straight arms with rounded corners. It resembles the cross-shaped hinge fittings of the belt buckles from Herrera de Pisuerga and tomb 9 from El Tesorillo from Visigoth Spain, two bronze fittings from Lusitania and the buckle with busts of saints and the Greek inscription 'Light and Life' from Korbous in Tunisia. These kind of buckles were also found in male warrior graves.