Byzantine Decorated Bronze Weight

Piriform body with domed filler-hole forming the centre of a flower with radiating petals; intended to be filled with explosive liquid and wick, used as a hand grenade. 449 grams, 10.1 cm



From a specialist collection of militaria, London, UK, collected 1990s onwards. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.

Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.

Of squat profile with flared base and drop handle; running tendril bands to the shoulder and base, gilt-inlaid frieze depicting the seated robed figure of Christ holding a staff between two palm trees in a landscape inhabited by a bear, leaping goat, frog, cockerel, hen, eagle, horse, hounds, sheep, lioness, snake, rabbit, duck, boar cow; trees in the background with birds perching on the branches; central roundel with Chi Rho, alpha and omega; handle with vine tendrils flanked by pellet clusters, saltire to the centre. 1.02 kg, 23 cm wide



From the family collection of Mr E.L. (1915-1991), who collected antiquities from the 1940s, thence by descent. Ex J.L. collection, Surrey, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12059-213551.

The frieze is full of Christian symbolism, mainly concentrated on the image of the good shepherd (Christ) depicted according to the model visible in the Mausoleum of Galla Placidia in Ravenna and shown on the opposite side of the central roundel. Jesus is represented in a landscape suffused with peace, full of plants and flowers; he has a serene expression and is depicted beardless and surrounded by six sheep. Its clear allusive meaning is that only through Christ can eternal peace be achieved. Another part probably represents the Tree of Life with an array of animals. The vessel probably had a liturgical use, perhaps for the ritual washing of feet during the Easter celebrations or for the blessing of the faithful.

Kidney-shaped in plan with segmented loop, curved tongue with rectangular shield, incised zigzag and pseudo-script. 26.5 grams, 41 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.