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LOT 1022
Byzantine Bronze Ring with Bird
6TH-8TH CENTURY A.D.
3/4 in. (2.00 grams, 19.48 mm overall, 16.73 mm internal diameter (approximate size British J 1/2, USA 5, Europe 9.32, Japan 9)).
Slender hoop expanding to an oval bezel with hatched border, intaglio motif of a stylised water bird facing right. [No Reserve]
ProvenancePrivate collection formed since the 1940s.
UK art market.
Property of an Essex, UK, gentleman.
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AUCTIONS:
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Byzantine Gold Ring with Sapphire
5th-6th century A.D.Sold for (Inc. bp): £1,972
Flat-section hoop displaying geometric pierced work between raised bands, fluted hemispherical bezel adorned with granules and set with possibly a later polished cabochon sapphire. 8.66 grams, 33.78 mm overall, 16.94 mm internal diameter (approximate size British M 1/2, USA 6 1/4, Europe 13.09, Japan 13)
Acquired 1990s-early 2000s. East Anglian private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.201084. -
Byzantine Decorated Bronze Buckle
6th-7th century A.D.Sold for (Inc. bp): £234
Kidney-shaped in plan with segmented loop, curved tongue with rectangular shield, incised zigzag and pseudo-script. 26.5 grams, 41 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. -
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Byzantine Cosmatesque Mosaic Panel
11th-13th century A.D.Sold for (Inc. bp): £1,560
Recalling workmanship similar to that found in the floor of the Sistine Chapel and other important Roman churches; comprising a stepped rectangular panel with white marble border, square blocks with cross fourchée motifs on porphyry and other fields; mounted on a custom-made stand. 1.06 kg, 38.5 cm wide (1.4 kg total including stand)
French gallery, Paris, 1990s. From a family collection, London, UK.
The Cosmatesque style was a characteristic type of ornamentation of Eastern Roman origin (opus alexandrinum) used by the Roman marble makers of the 12th and 13th centuries AD. It embellishes floors, ciboriums and cloisters of churches by means of polychrome marble inlays of varied and imaginative geometric shapes. The wider use of this decoration began in the 12th century, at which time techniques were improved: the Cosmati floors were made with pieces of stone cut in various shapes and sizes, a property quite different from the mosaics in opus tessellatum, in which the motifs were made from small units all having the same size and shape, or from the opus sectile, intended to create representations with pieces of multicoloured marble cut out and arranged for this purpose. The stones used by Cosmati artists were often material salvaged from the ruins of ancient Roman buildings.
