Byzantine Bronze Cross Pendant

With rounded underside and flange rim; tondo with incised symmetrical vinescroll with bunches of grapes enclosing central disc with niello-filled Chi Rho flanked by alpha and omega; legend to the rim in capitals: '+++ ΥΠΕΡ ΑΝΑΠΑΥϹΕΩϹ ΕΥΧΗϹ ΟΝ ΟΙΔΕΝ ΟΘϹ ΤΑ ΟΝΟΜΑΤΑ' (For the eternal rest of him who had knowledge in the name of the Lord). 395 grams, 23.5 cm wide



From a European family collection formed in the 1990s; thence by descent to a UK gentleman. Accompanied by an academic report by Dr Raffaele D’Amato. Accompanied by professional drawings of the object. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11963-210867.

The decorative apparatus of this plate could be associated with Eastern Roman art of the 11-12th century A.D., although we cannot exclude an earlier dating.

Large domed centre with low-relief sun wheel design, pellets to the rim and suspension loop above. 28.6 grams, 75 mm



From the collection of a North American gentleman, formed in the 1990s.

In the late Byzantium period, round-shaped buckles and horse harness mounts were often decorated with beaded edges and with floral embossed ornaments, under the influence of the Ottoman Turks. They have the shape of a small shield and impressed decoration of a rose. Belt appliques have an extra boss for attachment, instead of a loop which is usually attached to the horse harness pendants.

Discoid in plan with integral stub handle; central Maltese cross with herringbone ring and epigraphic band, radiating dentilled rim; the inscription '+ ΕΥΛΟΓΙΑ ΚΥΡΙΟΥ ΚΕ ΘΕΟΥ ΕΙΜΙ ΚΕ ΘΟC ΜΕ ΠΑΠΑ' (With the blessing of Lord and God I am with the Father). 495 grams, 12.6 cm wide



From the collection of Sir Daniel Donohue [1919-2014] and the Countess Bernardine [1904-1968], Los Angeles, USA; the collection was assembled in the 1950-1960s, but before March 1968. with Bonhams, London, 13 April 2011, no.310 (part). Accompanied by a copy of the relevant Bonhams catalogue pages. Accompanied by a copy of an Art Loss Register certificate no.S00120713. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12109-218144.

The cross is surrounded by a zig-zag frieze enclosed within a long inscription in medieval Greek, this confirms the use of the seal in a liturgical context. The practice of preparing bread for Holy Eucharist and Antidoron is still in use in the churches of the East.